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The other thing with digital IMAX was cheaper installation costs which allowed them to reach markets where a standard IMAX screen just wasn't economically feasible.
You'll occasionally find a filmmaker who will sound off when they're unhappy with the way their movie was released on home video, but I suspect in a lot of cases they fear biting the hand the feeds them and opt to keep their mouth shut. So unless you hear affirmative confirmation that the video release is correct ("Yes, this is exactly the way I want it!"), in most other cases we may never know who made the decision or why.
Well Curse of Frankenstein was released by Warner Archive in multiple aspect ratios and that wasn’t exactly a new release. Seems to me it would be a selling point with A Smaller market.While your argument comes from a good place, the flagging sales of physical media, coupled with the added discs that would be needed to present all possible versions for some of these movies, really render this a fiscally unpalatable option for studios, some of whom are already on the fence about whether they should continue investing in delivering physical items to a shrinking consumer base.
I think the argument about "theatrical/original aspect ratio", "director's intent" etc. needs to evolve to account for current times.
Yes there was a time when things were black and white. Things were shot in 1.66, 1.85, 2.35 to 1 (etc.) and then unceremoniously chopped off (or in a minority of cases, opened up) to fit on a 4:3 TV. Back then, it was simple. Give us how it was shot and presented theatrically.
What many forget is that one of the big reasons Hollywood went to wider screens was to get butts back into seats, to draw people away from their TVs. Remember earliest films were shot in 1.33:1 which is why TVs followed that format.
Well Hollywood needed to get butts back in seats again with the mass proliferation of DVDs, BDs and large screen TVs that became more affordable in the early 2000s onwards. 65" TVs used to be the domain of the HT aficionado. Now I know new houses that come with 65" TVs pre-mounted onto the walls. IMAX ratios was one of the results of that strategy to give people a reason to come back to the theaters. So for films shot in VAR, is there truly an OAR? Can a Director have more than one intent?
To the latter, I'd say yes. Many (most? all?) who shoot in VAR are shooting it to be safely conveyed in normal theaters that lack the ability to show VAR, and for places that have the various iterations of IMAX (I'm not fully conversant in IMAX theaters but I know some have been labeled as "faux" vs. real IMAX). It's no longer black and white as to what OAR is, or even Director's Intent, IMHO.
While I'd love a "here's all the possible ways it was shown" version as Edwin espouses, the realist in me knows it's not going to happen due to the economics of it all. As much as it pains me (and my several thousand strong physical movie collection) to say this, the answer may lie in streaming options.
One thing I will say Disney has done well is presenting the ability to watch IMAX enhanced (yes it's not the true full IMAX aspect ratio, but rather an in between state designed to mostly fill our 16x9 screens) or the fixed aspect ratio version.
I think it's about those little silica packets you find inside stuff you buy. Or maybe salsa.......what's the topic of this thread?
The other thing with digital IMAX was cheaper installation costs which allowed them to reach markets where a standard IMAX screen just wasn't economically feasible.
There have been discussions regarding aspects ratios as long as there have been publications and websites devoted to home theatre. The problem all of them seem to lose sight of when it comes to formats like Cinerama and IMAX, is they are not about the aspect ratio. They are about the experience
Both formats were intended to go beyond the field of vision. In the case of Cinerama, the point was to surround the viewer with the image and "tickle the peripheral vision". The height of IMAX was intended to have the sky extend above the viewer just as it does in real life.
Indeed, traditional IMAX framing calls for the screen to be divided into thirds both horizontally and vertically. Thus the top third is just supposed to be sky or whatever else would rise above the viewer. The center of interest should be in the center third. This requires the camera to pull back.
There is simply no way those experiences can be replicated on a home theatre video screen. All you end up with is a smaller center of interest.
Everyone's mileage may vary, but I've always found that opening up from 2:35:1/2:20:1 to 1.78:1 still produces a different psychological effect than watching an entire film in 1.78:1/1:85:1. Because it's opening up from the narrower horizontal image, it looks "bigger"than it really is. You still get some of the sensation of extra height like in a full 15/70 presentation with mixed ratios, albeit much less so. It may just be my brain playing tricks on me, but that's what it does. So I'm fully in favor of getting the IMAX footage opened up to 1.78:1 on UHD.While the rest of what you say is true enough (w/ perhaps some exceptions), opening up to 16x9 (for the IMAX sequences) wouldn't actually make the center of interest smaller.
Ultimately, the best way to approach it is probably to provide the shifting AR as an user-selectable option... probably via seamless branching if the IMAX sequences don't add up to too much running time (to require too much space on the disc)... It shouldn't need to be either-or...
_Man_
Weird. I had no problems with redemption.Anyone having trouble with the digital copy download? I imputed the code, and pressed redeem and basically nothing happened. My next move was to e-mail Warners. They answered back and said their records said that it had been redeemed. They suggested I contact Google Play.
After a pointless back and forth on line, Google told me to contact Warners! I asked to have a supervisor. I was told to e-mail. I did so, and am still waiting.
So far no movie.
Best of luck. I did my redemption on my "fruit-based" device with no difficulty.I e-mailed Warners this morning and got a reply. They have given me a long list of instructions for redemption and state it must be done on a computer and not a mobile device. I will see how this goes this afternoon.
Similarly, Dr. Kynes in this version is more memorable,
I feel like a lot of Von Sydow's scenes were cut.I can't disagree. But it's odd, given that Kynes was played by Max von Sydow in the Lynch version.
(MvS is one of my favorite actors ever.)