- Joined
- Feb 8, 1999
- Messages
- 18,422
- Real Name
- Robert Harris
During her American career, Greta Garbo starred in 24 feature films for M-G-M.
Nine of them were produced during the silent era, and fifteen, beginning with Anna Christie in 1930, were sound.
For cinephiles 2005 has thus far been an exciting, if wallet-emptying year, and will continue as such through the final four months.
While silent film buffs are waiting anxiously for the Harold Lloyd films, a collection certain to be one of the most important releases of the year, they must also be taking notice of the three silent Garbo films in this ten disc boxed set, which covers approximately one half of M-G-M's Garbo library.
Beginning with The Tempress (1926), and including the more famous Flesh and the Devil (1927) and The Mysterious Lady (1928), the two disc set featuring the silents serves as a taking off point for the rest of the collection. Also included with the silents is the only surviving footage of the presumably lost 1928 The Divine Woman.
Of the fifteen sound films, we are given seven... Anna Christie arrives along with the German version, directed by Jacques Feyder as an additional extra; Grand Hotel; Camille; Ninotchka; Mata Hari; Queen Christina (my personal favorite Garbo film); and Anna Karenina round out the selected titles.
But it is the 86 minute documentary, which makes up the tenth disc, that alone is worth the $75 price of admission for the entire collection.
There is something about a Photoplay documentary that sets it apart from all others, no matter how superb their quality. And it is "Garbo," narrated by Julie Christie, produced by Patrick Stanbury and directed by Kevin Brownlow that tops off this collection, meeting the level of quality found in the Garbo films themselves.
In any ranking of documentaries on the history of film, there are the Photoplay productions (the companion piece to King Kong, on the life of Merian C. Cooper is coming), there is a large void, and then a ranking of all the others. There is simply no comparison.
The forthcoming release of the first installment of Garbo films from Warner Home Video marks a red letter day for cinephiles. Everything has been done right; the finest surviving film elements have been gathered, inventoried and digitally transferred; and the finest documentarians have been set to the task of relating the life and legend of the extraordinary Ms. Garbo.
This is yet another of those "no brainer" purchases offered to us by WHV.
In the words of the immortal Mr. Ebert...
"Two thumbs up... and they couldn't possibly be raised any higher."
RAH
Nine of them were produced during the silent era, and fifteen, beginning with Anna Christie in 1930, were sound.
For cinephiles 2005 has thus far been an exciting, if wallet-emptying year, and will continue as such through the final four months.
While silent film buffs are waiting anxiously for the Harold Lloyd films, a collection certain to be one of the most important releases of the year, they must also be taking notice of the three silent Garbo films in this ten disc boxed set, which covers approximately one half of M-G-M's Garbo library.
Beginning with The Tempress (1926), and including the more famous Flesh and the Devil (1927) and The Mysterious Lady (1928), the two disc set featuring the silents serves as a taking off point for the rest of the collection. Also included with the silents is the only surviving footage of the presumably lost 1928 The Divine Woman.
Of the fifteen sound films, we are given seven... Anna Christie arrives along with the German version, directed by Jacques Feyder as an additional extra; Grand Hotel; Camille; Ninotchka; Mata Hari; Queen Christina (my personal favorite Garbo film); and Anna Karenina round out the selected titles.
But it is the 86 minute documentary, which makes up the tenth disc, that alone is worth the $75 price of admission for the entire collection.
There is something about a Photoplay documentary that sets it apart from all others, no matter how superb their quality. And it is "Garbo," narrated by Julie Christie, produced by Patrick Stanbury and directed by Kevin Brownlow that tops off this collection, meeting the level of quality found in the Garbo films themselves.
In any ranking of documentaries on the history of film, there are the Photoplay productions (the companion piece to King Kong, on the life of Merian C. Cooper is coming), there is a large void, and then a ranking of all the others. There is simply no comparison.
The forthcoming release of the first installment of Garbo films from Warner Home Video marks a red letter day for cinephiles. Everything has been done right; the finest surviving film elements have been gathered, inventoried and digitally transferred; and the finest documentarians have been set to the task of relating the life and legend of the extraordinary Ms. Garbo.
This is yet another of those "no brainer" purchases offered to us by WHV.
In the words of the immortal Mr. Ebert...
"Two thumbs up... and they couldn't possibly be raised any higher."
RAH