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- Robert Harris
The Marx Brothers were a team unique in the history of cinema. Which may have been a good thing, as two of them may have been too many.
Like some other comedy teams, it’s occasionally a love it or hate it situation.
Personally, I’ve never been fond of the Stooges, like certain of the Laurel & Hardy productions, but have always been a huge Marx Brothers fan.
While their career in features ran from 1929 through 1949, a decent run in the film business, their truly legendary work was done for two studios. First Paramount, out of Astoria Studios in Queens, New York, for The Cocoanuts (1929), and Animal Crackers (1930), followed by their move west for Monkey Business (1931), Horse Feathers (1932), and finally Duck Soup (1933).
They made their move to M-G-M, and greater budgets with which to work their lunacy, for A Night at the Opera (1936) and A Day at the Races (1937).
A quick stop at RKO, yielded the less than stellar Room Service (1938), before a return to M-G-M for At the Circus...
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