- Joined
- Feb 8, 1999
- Messages
- 18,271
- Real Name
- Robert Harris
Welcome to America!
Before the turn of the 20th century.
A place, especially in the west, where immigrants were welcomed and loved.
A place in Texas, where Sven Hansen, a Swede, who had spent his life at sea, saving to purchase a small piece of land that he could one day turn over to his strapping son, George...
and where Mirada, whose family had crossed the border from Mexico generations before, is trying to survive with his wife and young son.
McNeil owns the local hotel, and wants their land.
This has been done before, but Joseph H. Lewis does it differently, with nary a duel of peacemakers in sight, and not a drop of blood, amongst several deaths.
Mr. Lewis is a major filmmaker to some, and barely a blip on the cinematic radar to others.
But during his career (beginning in editorial, and later as a B movie director of mostly westerns) he made three films that over half a century later, are worth your time effort to see.
My personal favorite is Gun Crazy, aka Deadly is the Female. There's The Big Combo, and then his final feature production, although he continued to work in TV, Terror in a Texas Town.
It's extremely low budget.
An almost always empty western street, a few interior sets -- a couple of hotel rooms, the main floor of the hotel and bar, and Mirada's small cabin.
But look to the credits, and things get interesting.
A screenplay by Dalton Trumbo
Cinematography by Ray Rennahan, in his final outing behind the camera, before he too, worked in TV.
Never heard of him? Look him up. He was one of the best.
And then, there's Sterling Hayden in the lead. A superb and idiosyncratic actor, who waffles around a Swedish accent.
And Sebastian Cabot, the portly British actor, making the move from UK productions to US in the early '50s. Probably best known for TV, but later a part of the Disney voice family.
All of this adds up to a tiny film, that probably due to the final duel in the middle of a dusty street -- shades of High Noon -- has found it's place in the world of cinema history.
Probably most important here, is that Arrow's new Blu-ray is a gorgeous affair, nicely reproducing Mr. Rennahan's work, with all of it's grain and levels of gray intact. It's a clean, stable image, which I doubt can be bettered.
Audio reproduces the low-budget qualities of the production.
Image - 4.75
Audio - 4.5
4k Up-rez - 4.75
Pass / Fail - Pass
Recommended
RAH
Before the turn of the 20th century.
A place, especially in the west, where immigrants were welcomed and loved.
A place in Texas, where Sven Hansen, a Swede, who had spent his life at sea, saving to purchase a small piece of land that he could one day turn over to his strapping son, George...
and where Mirada, whose family had crossed the border from Mexico generations before, is trying to survive with his wife and young son.
McNeil owns the local hotel, and wants their land.
This has been done before, but Joseph H. Lewis does it differently, with nary a duel of peacemakers in sight, and not a drop of blood, amongst several deaths.
Mr. Lewis is a major filmmaker to some, and barely a blip on the cinematic radar to others.
But during his career (beginning in editorial, and later as a B movie director of mostly westerns) he made three films that over half a century later, are worth your time effort to see.
My personal favorite is Gun Crazy, aka Deadly is the Female. There's The Big Combo, and then his final feature production, although he continued to work in TV, Terror in a Texas Town.
It's extremely low budget.
An almost always empty western street, a few interior sets -- a couple of hotel rooms, the main floor of the hotel and bar, and Mirada's small cabin.
But look to the credits, and things get interesting.
A screenplay by Dalton Trumbo
Cinematography by Ray Rennahan, in his final outing behind the camera, before he too, worked in TV.
Never heard of him? Look him up. He was one of the best.
And then, there's Sterling Hayden in the lead. A superb and idiosyncratic actor, who waffles around a Swedish accent.
And Sebastian Cabot, the portly British actor, making the move from UK productions to US in the early '50s. Probably best known for TV, but later a part of the Disney voice family.
All of this adds up to a tiny film, that probably due to the final duel in the middle of a dusty street -- shades of High Noon -- has found it's place in the world of cinema history.
Probably most important here, is that Arrow's new Blu-ray is a gorgeous affair, nicely reproducing Mr. Rennahan's work, with all of it's grain and levels of gray intact. It's a clean, stable image, which I doubt can be bettered.
Audio reproduces the low-budget qualities of the production.
Image - 4.75
Audio - 4.5
4k Up-rez - 4.75
Pass / Fail - Pass
Recommended
RAH