- Joined
- Feb 8, 1999
- Messages
- 18,396
- Real Name
- Robert Harris
The majority of modern films dependent upon effects laden storylines are generally precisely that. A story with all of the normal attributes that is used to hold the fx sequences together. 2012 is no different. No better, occasionally worse. The point of interest here is how the filmmaker has used digital technology to up the fx ante. The actual story is almost irrelevant.