Is that a cassette from the Nolan collection?Shirley you can't be serious ...
View attachment 52868
Is that a cassette from the Nolan collection?Shirley you can't be serious ...
View attachment 52868
Jesus, does anyone just watch the movie anymore? So I should have been paying attention for "audio tearing". BTW I didn't hear any distortion. This is getting like Steve Hoffman Forums.
Thank you. I'll just say audio distortion next time, I didn't realize people wouldn't know or infer what the term meant.
I do too, it's when I see people complain and complain and get nitpicky
I dunno. I kind of like the Hoffman forums. Pick up a lot of good info there.
Well I didn't know the meaning of the term, but it took me less than a minute to find out by googling. Less than the time it would have taken to post a response complaining about your use of the term.
Here's the 45m 44s screen. There is no audio distortion or breakup or print through or any other introduced artefact. The music is the first time we hear Ligeti's Atmospheres. The a capella chorus is written in a form like minor second or diminshed intervals, tighly squeezed notes, in musical terms atonal, making the sounds non tonal or non diatonic. Kubrick ends the sequence with the screaming high pitched noise from the Monolith, as we all know. There's no distortion in the sequence. Or anywhere else in the film. I also don't understand what it is when you are talking about color bleeding unless you're referring to high grain in the dupe shots, or the front projection mattes. View attachment 52893
Really? Just for fun I Googled "audio tearing." Guess how many results came up for those two words together? Zero. So I don't know what YOU Googled but in MY Google a lot of audio information came up, none including the words "audio tearing". Funny how that works huh? But thanks for making me wast my time, really. I've been in the producing CDs business for over thirty years now - dealing with all manner of tapes, including magnetic and optical tracks. No one, NO ONE in those thirty years has ever used such an expression because - it's not really an expression a professional would use.
10. No personal attacks. We expect all members to treat each other with consideration and respect. While we encourage lively debate, we do not allow personal attacks. This includes direct attacks, such as name-calling, as well as indirect attacks, such as repeated baiting of a member in a provocative or belittling manner. If you believe that you have been subjected to a personal attack, or have witnessed one on another member, please see the section on Dealing with Problems for instructions on how to proceed.
16. Don't get into fights. If you believe that you have been the victim of a personal attack, please follow the procedure outlined in Rule 15 "Reporting a problem," but do not respond in kind. Responding to a personal attack as if you've been "called out" only aggravates the situation, and it puts you as much in the wrong as your attacker. Let the moderators handle it. If you absolutely must say something to your attacker, do it privately in email.
Really? Just for fun I Googled "audio tearing." Guess how many results came up for those two words together? Zero. So I don't know what YOU Googled but in MY Google a lot of audio information came up, none including the words "audio tearing". Funny how that works huh? But thanks for making me wast my time, really. I've been in the producing CDs business for over thirty years now - dealing with all manner of tapes, including magnetic and optical tracks. No one, NO ONE in those thirty years has ever used such an expression because - it's not really an expression a professional would use.
Here's the 45m 44s screen. There is no audio distortion or breakup or print through or any other introduced artefact. The music is the first time we hear Ligeti's Atmospheres. The a capella chorus is written in a form like minor second or diminshed intervals, tighly squeezed notes, in musical terms atonal, making the sounds non tonal or non diatonic. Kubrick ends the sequence with the screaming high pitched noise from the Monolith, as we all know. There's no distortion in the sequence. Or anywhere else in the film. I also don't understand what it is when you are talking about color bleeding unless you're referring to high grain in the dupe shots, or the front projection mattes. View attachment 52893
Video is certainly not reference thats for sure, color bleed is a real issue on this disc in some scenes.
There are some red fringes here and there but they were also there in the 70mm prints so we cannot hold that against the UHD release.Is it possibly your display that is causing the bleed?