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- Dec 21, 2002
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- Jake Lipson
I'm surprised there isn't already a thread for this movie, so I thought I should start it. This is Chile's current reigning winner of the Best Foreign Language Film Academy Award and is now expanding its theatrical release in light of its victory. It opened here for this weekend and I saw it tonight.
Daniela Vega stars as Mariana, a transgender woman coping with the unexpected death of her lover, who was older, divorced and just asked her to move into his apartment. The movie is about her experiences in the aftermath dealing with his judgemental family, as well as the investigation into his death, and the bigotry she faces on all fronts during her time of grief. (This isn't a spoiler, as his death is the inciting incident of the movie and is clearly shown in the trailer above.)
It's a great part, and Daniela Vega gives a performance equal to anybody in the recently-concluded Best Actress race, which she should/would have been in if foreign films were usually treated with the same weight as English ones. It's entirely from her point of view and she's in every scene of it, so it's a really massive undertaking and she did it beautifully. It's really quite extraordinary. Of course, it's worth noting that she actually is transgender, if only because, if this were a Hollywood production, these types of roles normally get given to non-trans movie star actors to help sell the movie.
But it makes more sense for Ms. Vega to just do it, because representation. Also, more importantly, she's simply awesome in the role. I also really liked the fact that it wasn't about the process of her transition, but instead that that had already happened and she was just living her life. Now that I pause and think about it, the vast majority of Hollywood stories about trans people seem to start with the transition and build an arc around that process. This isn't that, and the shift in focus felt new and was refreshing.
I don't really want to say much more about it and get into spoilers, but if the film opens near you, it is very much worth seeing, and I look forward to discussing it once more people here have seen it. It lives up to its titular adjective.
Our crowd tonight was full, but it was also the free monthly screening for members of our arthouse, so those are usually full no matter what the film is, so I can't tell if that means it will be popular outside of the free screening or if it was an isolated incident due to the heavily-comped nature of this screening. The movie continues in a normal run here this weekend, and I hope it does well. The audience seemed to like it and gave it a loud round of applause at the end, which doesn't always happen at the free screenings.
Anyway, highly recommended.
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