Gary16
Screenwriter
- Joined
- Oct 19, 2006
- Messages
- 1,421
- Real Name
- Gary
Plus, both are as conducive to martinis as 77 SS.
Rob - just make a very dry whisky martini. Pour two fingers of your best. Take a vermouth bottle and wave in the air three times. Eat an olive. Drink the whiskey at your leisure. Add ice if desired. I have recipes for tequila - rum - bourbon - everything martinis.But I don't drink martinis. They don't have whisky in them.
I have no answer for this.But I don't drink martinis. They don't have whisky in them.
Who are you and what have you done with Russ????I have no answer for this.
Episode Commentary
"Flight From Escondido" (S4Ep35)
I've always been a sucker for airplane disaster movies--all the Airport series, the High and the Mighty, No Highway in the Sky, The Crowded Sky, et al. They reinforced my fear of flying (which I eventually overcame), plus there's just a fundamental fear of loss of control in a metal tube that soars 30,000 feet above the earth. Still, makes for exciting stories.
So I was ecstatic that 77 SS produced an episode that entirely takes place on a DC-6. Granted, it's Hollywood's version of a plane's interior--aisles the width of most interstate highways, seats the size of barcaloungers, capacity for about 15 people, at least 6 flight attendants per passenger and a cockpit with technology slightly less than that found in an AMC Gremlin.
It's Jeff Spencer's job to escort spoiled jet setter Faith Merrick (Susan Seaforth) from tiny country Escondido back home to rich Daddy in LA. Accompanying them on the plane is a whole host of characters: A washed up actress (Elaine Devry) and her agent, a military general (Joe De Santis), an oil wildcatter, a sick lad and his mother on the way to a needed operation in America, and a bunch of oily-looking thugs. There's also an undercurrent of Cold War Communism intrusion into the American Way Of Life on board.
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Susan Seaforth, Elaine Devry, Phillip Carey, Joe De Santis
The plane is hijacked and the pilot (Philip Carey) is forced to turn towards Commie Country San Cristobal. Jeff attempts a run at the gun wielding hijacker, only to be soundly repulsed. "Next time you try something like that, I weel keel you!" snarls the bad guy. My Lab Retriever could voice a more convincing Spanish inflection. Gunfire ensues, but fortunately the aircraft is seemingly flying only about 17 feet above ground--so no decompression issues from holes being drilled into the fuselage. On a second try, Spencer gets the best of the hijacker and gains control of the ship. Distressingly, the plane is being chased by jet fighters dispatched from San Cristobal. The pilot slyly avoids confrontation by flying directly into a huge storm. I had to snort out loud when he flipped on the plane's windshield wipers. Yeah, that'll help when the wings get ripped off by hurricane force wind. Yet, the plane evades the commie jets and makes it safely to LA. Once again, the United States outwits the Red Peril.
Directed by Scotsman Robert Douglas and written by Paul Savage, this was not exactly a detective story, but still an interesting episode featuring the heroics of Jeff Spencer and some good interplay from guest stars.
Randoms:
Elaine Devry was somewhat lacking in luck when picking husbands. Her first, a high school boyfriend, was convicted of armed robbery and spent time in jail. She then became one in a long line of Mickey Rooney wives--married to him for 6 years which was practically a lifetime in Rooney marriage years.
Joe De Santis (of whom I wrote a Tidbit many pages ago) was born in New York City but interestingly almost never played an American.
- This Post on 77 SUNSET STRIP just came up on my Facebook Memories, and I thought some of you might find it of interest.
- I guess I wrote this about the first time ME TV started showing 77, and had aired THE PASADINA CAPER.
- Below, author and ex-Vice and Homicide Detective Paul Bishop writes to me losing my game board of 77 SUNSET STRIP.
- Holy left behinds, Bat-don...When you say left behind do you mean left behind and gone, or left behind but could recover? I have been following your move and Marsha's health issues with much trepidation. I despair to see good people, good friends, faced with these types of challenges...Each decade above the grass brings its own unique challenges...Our attitude is the one of the few aspects we can control...The others are the choice to love and be kind in all things, to graciously accept the kindness of others, and to seek personal peace in an impersonal world of chaos...You are a good man, Don...I'm honored to know you are my friend...
Paul Bishop
January 31 at 9:55am · Edited
- Don McGregor
The 77 SUNSET STRIP board games, plus the manY JAMES BOND board games I once had, were all left behind in the attic of the house I was renting a floor from in Queens. Dean Mullaney, Steve Gerber, Mary Skrenes, and I think, Jim Salicrup helped me haul my books and comics and 16MM films, and whatever else, into Steve's van to move into Janey Aruns Bowery loft space in lower Manhattan. We had to make a number of trips of stuff from Queens to lower Manhattan, and I just couldn't ask for them to make more runs to try to get the games (and whatever might have been there) and bring them there. It was certainly my intent to go back some time and see if they were still there, but then more life happened, and I never did. Upon occasion I would wonder what the people who owned the house did with those games. Probably put them out with the trash.
I see the reproduction of the game box and it makes me think fondly of it. Watching 77 on ME-TV every morning makes me wish anew that there was some way for Warner Archive Collection to release the series on DVD, knowing there are probably multiple music rights obstacles that would have to be overcome.
Two nights ago, ME aired one of my favorite Sunset Strips: THE PASADENA CAPER.
What still impresses me about this episode is that the Efrem Zimbablist, Jr. segments of the show are in the tone of ARSENIC AND OLD LACE and THE MAN WHO CAME TO DINNER while the Roger Smith segment is pure, hard-boiled private eye. We go from little old ladies poisoning tea to a nightclub dancer making a late night rendezvous with Spencer, a night that ends with the detective discovering a bassinet and learning she had a baby that died. And Montgomery Pittman brings disparate story-telling approaches the together. And, more importantly, makes both work.
An unusual combo.
You will note, Paul, that I Posted this earlier Post on the games early, in response to what you had shown, because I knew if I didn't it might never get written because Marsha had two doctors appointment scheduled for that day, and who knew when we would get back.
I also did not want to miss Paul Scrabo's birthday.
Good thing I did write then, given what happened.
I'll described further in a separate Post above.
I cannot possibly express adequately how much your kind words to me above mean to me, Paul.
You're the real deal.
I have always treasured our friendship and love for story-telling.
Don McGregor
Comments
- Paul Scrabo
- I believe DINO'S (Dean Martin's restaurant) was used for the opening titles of 77!
Don McGregor
It actually is where Bailey & Spenser had their offices. Warners built the glitzy 77 awning across the drive-way for Dinos. Dean Martin had just bought and opened the Lodge about a year before that. They filmed some preliminary opening shots of those great looking 1950s convertibles driving into the lot where Kookie would take the cars to the back and park them. The address was not actually 77.
- In the 60s my Mom and Dad drove across country to California. Warner Brothers and Sunset Strip were more important to me than Disneyland. They took me and my sister, Sue, to Dino's. The back lot where Kookie supposedly parked those cars maybe fit a half dozen car, MAYBE, before dropping off into a deep arroyo. If there was a real parking attendant I have no idea where they would park more cars than 6.
- I feel as if I am answering this for two talented, great guys, Paul Scrabo and Paul Bishop. And for any 77 fans. Don
- Don McGregor
And here it is with the 77 Sunset Strip awning and Efrem Zimbalist, Jr. as Stu Bailey. In those days, if you looked up the word "suave" in the dictionary there just a photo of Efrem. Pretty sure about that. Don
- Don McGregor
- And here's Kookie, jumping into his hot rod, maybe to park it at edge of the parking lot cliff drop. Don
Rob - just make a very dry whisky martini. Pour two fingers of your best. Take a vermouth bottle and wave in the air three times. Eat an olive. Drink the whiskey at your leisure. Add ice if desired. I have recipes for tequila - rum - bourbon - everything martinis.
Sounds like you got those valves ticking again.
Rob - just make a very dry whisky martini. Pour two fingers of your best. Take a vermouth bottle and wave in the air three times. Eat an olive. Drink the whiskey at your leisure. Add ice if desired. I have recipes for tequila - rum - bourbon - everything martinis.
Sounds like you got those valves ticking again.
- This Post on 77 SUNSET STRIP just came up on my Facebook Memories, and I thought some of you might find it of interest.
- I guess I wrote this about the first time ME TV started showing 77, and had aired THE PASADINA CAPER.
- Below, author and ex-Vice and Homicide Detective Paul Bishop writes to me losing my game board of 77 SUNSET STRIP.
- Holy left behinds, Bat-don...When you say left behind do you mean left behind and gone, or left behind but could recover? I have been following your move and Marsha's health issues with much trepidation. I despair to see good people, good friends, faced with these types of challenges...Each decade above the grass brings its own unique challenges...Our attitude is the one of the few aspects we can control...The others are the choice to love and be kind in all things, to graciously accept the kindness of others, and to seek personal peace in an impersonal world of chaos...You are a good man, Don...I'm honored to know you are my friend...
Paul Bishop
January 31 at 9:55am · Edited
- Don McGregor
The 77 SUNSET STRIP board games, plus the manY JAMES BOND board games I once had, were all left behind in the attic of the house I was renting a floor from in Queens. Dean Mullaney, Steve Gerber, Mary Skrenes, and I think, Jim Salicrup helped me haul my books and comics and 16MM films, and whatever else, into Steve's van to move into Janey Aruns Bowery loft space in lower Manhattan. We had to make a number of trips of stuff from Queens to lower Manhattan, and I just couldn't ask for them to make more runs to try to get the games (and whatever might have been there) and bring them there. It was certainly my intent to go back some time and see if they were still there, but then more life happened, and I never did. Upon occasion I would wonder what the people who owned the house did with those games. Probably put them out with the trash.
I see the reproduction of the game box and it makes me think fondly of it. Watching 77 on ME-TV every morning makes me wish anew that there was some way for Warner Archive Collection to release the series on DVD, knowing there are probably multiple music rights obstacles that would have to be overcome.
Two nights ago, ME aired one of my favorite Sunset Strips: THE PASADENA CAPER.
What still impresses me about this episode is that the Efrem Zimbablist, Jr. segments of the show are in the tone of ARSENIC AND OLD LACE and THE MAN WHO CAME TO DINNER while the Roger Smith segment is pure, hard-boiled private eye. We go from little old ladies poisoning tea to a nightclub dancer making a late night rendezvous with Spencer, a night that ends with the detective discovering a bassinet and learning she had a baby that died. And Montgomery Pittman brings disparate story-telling approaches the together. And, more importantly, makes both work.
An unusual combo.
You will note, Paul, that I Posted this earlier Post on the games early, in response to what you had shown, because I knew if I didn't it might never get written because Marsha had two doctors appointment scheduled for that day, and who knew when we would get back.
I also did not want to miss Paul Scrabo's birthday.
Good thing I did write then, given what happened.
I'll described further in a separate Post above.
I cannot possibly express adequately how much your kind words to me above mean to me, Paul.
You're the real deal.
I have always treasured our friendship and love for story-telling.
Don McGregor
Comments
- Paul Scrabo
- I believe DINO'S (Dean Martin's restaurant) was used for the opening titles of 77!
Don McGregor
It actually is where Bailey & Spenser had their offices. Warners built the glitzy 77 awning across the drive-way for Dinos. Dean Martin had just bought and opened the Lodge about a year before that. They filmed some preliminary opening shots of those great looking 1950s convertibles driving into the lot where Kookie would take the cars to the back and park them. The address was not actually 77.
- In the 60s my Mom and Dad drove across country to California. Warner Brothers and Sunset Strip were more important to me than Disneyland. They took me and my sister, Sue, to Dino's. The back lot where Kookie supposedly parked those cars maybe fit a half dozen car, MAYBE, before dropping off into a deep arroyo. If there was a real parking attendant I have no idea where they would park more cars than 6.
- I feel as if I am answering this for two talented, great guys, Paul Scrabo and Paul Bishop. And for any 77 fans. Don
- Don McGregor
And here it is with the 77 Sunset Strip awning and Efrem Zimbalist, Jr. as Stu Bailey. In those days, if you looked up the word "suave" in the dictionary there just a photo of Efrem. Pretty sure about that. Don
- Don McGregor
- And here's Kookie, jumping into his hot rod, maybe to park it at edge of the parking lot cliff drop.
You are correct, Dolly, regarding the layout of the parking lot. When I was spending a bunch of time in SoCal in the early 2000's, I would make regular "pilgrimages" to 8524 Sunset Blvd. to visit the exact spot of the former Dino's and "B&S" offices. By then they had become an office building and Tiffany Theater, respectively--but the drive-thru between the two (Kookie's primary valet parking territory) still existed. Many times I skidded down the steep incline to the parking area behind the buildings, which indeed was far bigger than depicted in WB's set replica of the area.I thought I saw on one or two of the "77 Sunset Strip" episodes, although there was the small parking lot by Dino's building, there was a ramp behind Dino's that went down into the arroyo where there was a large black topped parking lot. If I'm wrong I'm sure I'll be corrected.
Once. a policeman accosted me as a "suspicious" fellow for hanging around for no apparent reason. When I tried to explain to him my nostalgic reasons, he looked at me like I just skated off the third ring of Saturn. As a young cop, he had no idea of the history of the area much less any recognition of the "77 Sunset Strip" TV show.
I have stated a jillion times on this thread how much I wish I had a time machine to return to this spot. Once there, I'm pretty sure I would not elect to come back to 2019.
I like the meticulous planning of your dreams, RobRuss, it's a shame that one of the truly great TV shows faded so quickly from popular memory. I never recall seeing this show in syndication. I suppose it was the victim of the drastic (if short-lived) change in the public mood in the early Sixties. From what I recall and have read, people began to crave crepe-hanger shows that dealt in a somber tone with social issues, and the generally humorous tone of 77SS grew to be frowned upon by the bien pensant.
I feel ya, and I've often said the same thing. But after my recent surgery, I no longer wish I'd been born any earlier than I was. My minimally-invasive procedure would not have been possible five years ago, and I'd still be deep in the recovery phase.
Not that I still don't long for a time machine. I'd take a good modern video-recording setup back and record every episode of 77SS in its original network run. Then I'd go forward a few decades and buy as much Apple stock as I could afford.
Admirable pursuits, Rob. Somewhere in between those two efforts, I would've made a stop at Joey Heatherton's house.Not that I still don't long for a time machine. I'd take a good modern video-recording setup back and record every episode of 77SS in its original network run. Then I'd go forward a few decades and buy as much Apple stock as I could afford.
And congrats on the usage of "bien pensant" in your post. I could write 867,354 lines of commentary without tripping over that phrase even once.people began to crave crepe-hanger shows that dealt in a somber tone with social issues, and the generally humorous tone of 77SS grew to be frowned upon by the bien pensant.
Fans of the multi talented Joey Heatherton really need to pick up the recently released Mr. Novak season one from Warner Archive...I humbly submit these screen caps for your consideration...yes, that's a young Bonnie Franklin too...Admirable pursuits, Rob. Somewhere in between those two efforts, I would've made a stop at Joey Heatherton's house.
Just to say hi, mind you.
Yeah, Randall--I remember you or someone mentioning Joey in a Mr. Novak episode in that respective thread. It really makes me nostalgic for that series, but as you know I don't purchase DVD series so if it ain't on TV in a rerun--I'm never going to see it. Dammit.Fans of the multi talented Joey Heatherton really need to pick up the recently released Mr. Novak season one from Warner Archive...I humbly submit these screen caps for your consideration...yes, that's a young Bonnie Franklin too...
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I'm a little bit of a fan, ha, ha...this appearance in Mr. Novak season one's To Break a Camel's Back (Nov. 12, 1963) is among her earliest work in TV available on DVD, along with two appearances on the great Route 66...to bring it back to 77 Sunset Strip and the other Warner Detective shows, off the top of my head, I don't believe she appeared in any of the WB detective shows...but maybe I'm wrong in that?
I like the meticulous planning of your dreams, Rob
And congrats on the usage of "bien pensant" in your post. I could write 867,354 lines of commentary without tripping over that phrase even once.
Episode Commentary
"The Disappearance" (S4Ep32)
This episode is a good 'un--for two reasons: First, it's a rare 77 SS story that's shot almost entirely on location in and around a golf course in the hills of California.
Really, if any of you CA natives are familiar with this episode and recognize the location of the golf course--it would be keen to report on it.