I think that review is from "New York Magazine" not "The New Yorker".
In any case the author is extremely angry, but I'm not sure his points can all be taken seriously.
It's an American Broadway musical based on "Romeo and Juliet". Which is full of racism. Or maybe
it's familialism.
Perhaps...
I love Edie Adams. I was lucky enough to see her in "Can-Can" at Melodyland Theater in Anaheim years and years ago. More recently (but still a long time ago), I met her. She was in the audience of a production of "Ilya, Darling" (musical version of "Never on Sunday") in Los Angeles. The...
It is surprising to me how much advertising is still being promulgated, and it is still in theaters. I imagine that is to foment Oscar buzz and nominations.
I don't know why anyone wouldn't respond to Natalie Wood, especially in that final scene. Lovely, beautiful, tragic character. I always wondered, after seeing the 1961 movie, what would happen to Maria. In the new film, that did not even occur to me. Sincerely miss Natalie Wood. Loved her final...
I like what Spielberg did with the opening musical number in "Indiana Jones and the Temple of Doom" (Cole Porter's "Anything Goes") and I like Mrs. Spielberg in that film as well. In the new "West Side Story" I believe I learned a few words of Spanish that I didn't know before. I enjoy...
I saw it at the Cinerama Dome in Hollywood, but I don't recall the exact date, compared to the New York opening. Someone here must know that information though.
I know several older people whose musical tastes are still in the world of Rogers and Hammerstein, who despise all modern musicals since R&H especially Sondheim. One person I know hated WSS because it was so violent and left her stressed out at the end. It's a puzzlement. Broadway has always...
Mr. Beymer is a fine actor. Perhaps the problem is the part, not the actor. When I think of Ansel Elgort, I am reminded of Hayden Christensen in "Star Wars 1-2-3. What could anyone do with parts like these? I do not know.