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I much prefer Mario Lanza's trashier and flashier films, where his high C's meet low-down MGM glitz, before he decided he was a "serious artist".

I'm holding out for "The Toast of New Orleans" which is more highly Technicolored, as well as a lot giddier, the cinematic equivalent of consuming four chocolate eclairs and a double ice cream sundae with sprinkles. And it contains "Be My Love", in which Mario Lanza's vibrato resembles the...

It will look amazing, though it's not one of my faves. I'm waiting on "The Toast of New Orleans" which is a lot giddier and also stranger, both the apex as well as the end of the road of the MGM musical.