Although Fritz Lang and Spencer Tracy didn't get along while making Fury, they both bring a lot to this movie.
Lang and cinematographer Joseph Ruttenberg create an expressionist style in some scenes with dutch angles, things seen in reflection, behind bars, and so on. The mob scenes are a bit...
Matt Hough wrote: "Fritz Lang’s coruscating examination of mob mentality at its most venal has lost none of its power in 1936’s Fury, one of the director’s most powerful films and certainly one of the best movies he made after coming to America after escaping the Nazi regime. Spencer Tracy was...