I will admit to liking that about my Hisense QLED. The active dimming makes a huge difference on black levels with minimal blooming, with it only really visible off angle.
I don't think we can discount the impact of formats like Super35 either. There are directors who shot in Super35 so that they could have the biggest screen in the multiplex [since the majority of cinemas are constant image width rather than constant image height] and flexibility when creating...