Yes, the prints were quite beautiful, afaik the first 65mm to reduction scope matrices, although dye transfer prints were 34mm. A nice challenger to early Vista.
Just to confirm, you ran your Cinestage print at 24fps? There have been rumors of 30fps prints, which I’ve never been able to confirm.
There are two sets of cutting continuities - one for each speed - and sets of printing matrices could have been struck from either, or both.
VistaVision
1954
White Christmas All Par unless otherwise noted
1955
Artists and Models
The Dangerous Hours
The Far Horizons
The Girl Rush
Hell’s Island
Lucy Gallant
The Rose Tattoo
Run for Cover
The Seven Little Foys
To Catch a Thief
The Trouble with Harry...
I'd not get hung up on nationalities of production entities, financing, etc.
If what you'd like is a list of all large format, 65 / 70MM, 8-Perf, etc. it would b e relatively easy expect for Russian productions.