Search results

"Well, this is the one I was looking forward to, despite the fact that they had damaged CITY LIGHTS by making that purely budgetary decision regarding the visibility of the wires, and then asked me if Chaplin had personally told me that the wires shouldn’t show. I was friendly with Jerry...

They aren't taken from the same source. Maybe Paramount's does but Beaver only pointed them out on the Imprint,.

Doesn't really matter when the Imprint has visible registration errors and separation dirt.

I'm really starting to think that Blu-Ray.com's reviewers are doing this intentionally to piss off their own forum.

The Imprint and Paramount aren't taken from the same source FWIW. You can see some obvious misalignment on a few of the Imprint caps on Beaver that isn't present in the Paramount and vice versa.

And yet...

Judging from the caps at Beaver, When Worlds Collide appears to be taken from an older IP and not a new combine of the three-strips.

Rumor has it the NCAA was looking to put a college football team on Mars as early as 1936.

Apparently the original mono isn't on here either. Thank god I bought the Criterion. When Worlds Collide isn't worth the upgrade for this botch job.

Are you going to take a crack at Friday the 13th next? Everybody at the other forum says its a disaster of HDR misgrading.