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  1. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    The problem could be something other than a phase problem. If it's a big dip that doesn't change with phase, it's probably standing waves or something that can only be fixed with physical solutions like placement and/or sound treatments. Here are some examples of what the phase/distance...
  2. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    The phase adjustment on the sub and the distance adjustment in the receiver are both intended to accomplish the same thing. To smooth the transition area between the main speakers and the sub(s). Whenever there are two adjustments that accomplish the same thing, it opens up potential problems...
  3. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    Keep in mind that the distance setting in your rec and the phase setting in your subs are essentially doing the same thing. So you have options on how you do that.
  4. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    The dip you can’t EQ out is a null. Placement and room treatments are the main way to fix that, but a second sub can also do a lot.
  5. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    Dave can certainly contribute a lot more than I can, however, your subs have independent phase adjustments, which along with REW should permit you to deal with that particular issue. A MiniDSP will do it much better, while eliminating any need for dual sub outputs, since it can do its thing...
  6. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    OK, I've been diving into REW and optimizing incorporation of my subwoofers. I started in my living room, and achieved some nice improvements. I ended up with the SB-2000 in the front right corner, based on placement tests, then I checked adjusting the phase for best integration with the front...
  7. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    Thanks Dave. I could do opposing corners like top #3, just with the corners reversed. My option for top #4 would have the left one about 1/3 into the room. It can't go in both front corners.
  8. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    Dave, on the dual sealed sub front, like SB-16s, what do you have to say about stacking them, facing forward, or what about stacking with them facing sideways in opposite directions? As in, one on top of the other with one facing right and the other facing left. I'm just trying to identify...
  9. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    I’d really like to know @Dave Upton ’s feedback regarding the SVS SB-4000 and 16 vs similar Rythmik models.
  10. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    In general, I find the minuses of sealed subs preferable to the minuses of ported ones. Then again, as you go up in offerings the minuses of sealed ones start disappearing (think Seaton SubMersive) as the size and price goes up. The only thing I genuinely dislike about my ported SVS is when a...
  11. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    Trying to figure out a new sub is driving me crazy. About all I know is I will go sealed. That is, unless I don’t.
  12. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    But seriously, I suspect the E15HP2 is very close to, if not matching the SB-16. I won't argue the difference in the companies. Rythmik I think it is fair to say has higher value, and that saves money. There's a $500 difference between the two subs, and that should buy you a lot of quality...
  13. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    Forgive my hyperbole. It’s a hyperbolic world and I guess it rubbed off on me.
  14. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    Ask @Dave Upton . He has so much more experience with them than I do. And yes, their web site sucks beyond belief. The fact remains, their subs are very highly regarded, and you can get a pair of that model for $2,800 delivered. I think that might be your best choice. I bet they would put a...
  15. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    I suspect Dave would recommend a pair of Rythmik E15HP2s. Another serious contender for me as well. In fact, after going around in circles on the issue of new sub(s), and considering the space available in my room, I think a pair of those are now my front runner.
  16. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    I would consult Dave regarding the 70Hz drop. I suspect that is due to the room and needs to be addressed with physical changes before any equipment changes. I would suggest you stick with a sealed sub, especially with the Legacy mains. The last thing I'd want with that setup is any...
  17. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    Boulder by chance? The projection there is about the same as here.
  18. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    He goes so fast. He needs to explain what he's doing a little better. Especially the settings in REW.
  19. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    Well, my calibration stuff is here and we're projected to get as much as three FEET of snow through the weekend. So, I won't be going anywhere until Tuesday, once I get home this afternoon. Maybe I'll have a chance to try the stuff out. Hopefully the power stays on and my roof doesn't collapse.
  20. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    It sounds like the crossover was set to 40Hz, and the graph certainly exhibits that. Even if the speakers are disconnected, the crossover was probably still at 40Hz.
  21. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    It looks like your crossover is set at 40Hz. Plus, I can't believe you're getting that kind of output all the way down to 10Hz.
  22. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    Thanks again Dave. This also might be a step into a better/more up to date method for playing HD audio. Now that Oppo has gone away and their app no longer functions, I've lost my method of controlling playback. So, a Mac Mini might find a permanent home in the HT.
  23. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    Thanks Dave. I ordered the Microphone and the Verified+ meter. I only have the legendary (notorious?) old analog RatShack model. I'm guessing if I want to EQ my subs, I would then use something like THIS? I have recently upgraded four mac Minis and realize I can just set one of the old ones...
  24. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    Now I can't stop asking myself "How fat is my bass"? Damn you Dave Upton!
  25. JohnRice

    Podcast HomeTheaterUnited Podcast Episode 15 - Dave Upton on room correction and calibration with REW and Audyssey

    I fully agree. This has also been a learning experience for me through the years. The biggest benefit I found with my speakers was when it was suggested they be moved away from the front wall. So, now their backs are 4' from the wall, and further from the side walls, and there are no windows...
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