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Here we go again. First off, my point about 'subjectivism' relates to the issue of the score. A person's capacity to decide whether or not a score works or not, is like it or not a subjective issue and for a decision such as this to alter movies decades after the fact, we are only seeing one...

Your condescending arrogance and your cowardly refusal to address what are legitimate points on the ethics of tampering with a film decades after the fact based on narrow subjectivism, is duly noted.

PS-If you bothered to read my posts, you would have found I did NOT praise the song. I found the main *theme* of the *score* just fine and the score in general to be fine. Don't confuse the song with the rest of the score with your "you can sing along" cracks, which is a flat out falsification...

My awareness of the film is quite strong, thank you. I'm well aware of the problems that went on with this film, and the reasons for why this film ended up being short of what it could have been have to rest squarely on the shoulders of the director as much as the producer. We ended up with a...

Well suit yourself, to me it's beyond me to understand at all why substituting a music score decades after the fact is somehow okay. I despised the music replacement on the DVD releases of "The Fugitive" and I despise the tamperings George Lucas has made to the SW trilogy. I do not want a film...

Much as I appreciate the work Nick is doing, I have to disagree quite vigorously on the score replacement on "Major Dundee". I am absolutely 100% opposed to the idea of commissioning a new score for a film decades after the fact in any circumstance. The original Amfitheatrof score is not...