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I think the Dolby Atmos track is really great.

Also, The Lion in Winter, Shalako and The Mayerling.

The Spy who loved me screened at the Odeon L Sq in London in 35mm four track mag , also before the feature a 70mm trailer Of Close Encounters was shown as they had 3 projectors It was no problem. Also as Stephen points out some 70mm prints had mono tracks I have read there was a 70mm print in...

In 1981 that would have been in 6-track Dolby Stereo, Logans Run in the UK was in full 6-track stereo including inner left and rights Dolby Format 40 unlike Dolby stereo with baby boom Dolby format 42. It does have a Dolby System Logo in the credits but the 70mm print in the UK was non Dolby...

l am sure last true 6-track mix was Logans Run it was fantastic at the Empire in London.

I only know the Warner and ABC Shaftsbury Ave only used 35mm Dolby Stereo prints and l heard they used a mixture of UK and USA prints because of a late finish.

Madness! Madness! that would make a great line for the end of a movie:)

This film did screen in the USA in Split Surrounds at Northpoint where they used an SA-5 Surround Unit with a Dolby CP100 as this was a test before Apocalypse Now came out, so Superman was the first 70mm to be shown in 70mm Dolby Format 43.

I did attend a 70mm screening at the Odeon L Square for a cast and crew screening and this was the only 70mm screening in London as the print went back to the USA after. I know Max Bell from Dolby was at the remote desk in the theatre but cannot remember if this was screened in Split Surrounds...