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Kino has a far larger output than Criterion. So depends what you mean by classic i guess. The marque titles perhaps, but sheer volume?

I don't understand why they wouldn't if they're not going to release them themselves. Why not get the licensing revenue? I highly doubt classic live-action film on boutique-label 4K disc is going to make any measurable cut into streaming revenue...

Man, this thread on the front page got my hopes up!