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Great article. Just reinforces the work and cost involved in doing an A+ job (plus new details about color). It still begs the question of how many scans of 3-strip Technicolor negatives are able to afford this level of attention. I'm curious to hear a percentage assigned to relative quality...

RAH wrote: In restoring Gone with the Wind, it was discovered (by Grover Crisp?) that pin-registration alignment of the three negatives could be inadequate. So, new software tools were invented for alignment, 2D warping, and 3D warping. This begs the question: Do all restorations use these...