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  1. J

    MASH and HD

    Nope. That’s not at all what I’m saying. Reread my comment. Vital image loss is minimal when a Super35 frame (approximately 2:1) is converted from 4:3 to 16:9. Anytime a film is reframed, some visual information is either lost, gained, or — in this case — both. My point is that because...
  2. J

    MASH and HD

    Looks like the show was shot in Super 35, which is a film format designed to be easily adapted to multiple aspect ratios. The intended aspect ratio was 4:3, so sometimes there will be props at the top and bottom of the frame, but all vital information should be centered, so the reframing on Hulu...