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  1. Robert Harris

    A PEEK AT HIGH AND LOW FROM BFI

    Just purchased that precise outfit. Almost $1.300 in distressed form. Under $200 not distressed. I paid almost 4k for more tears. But it goes perfectly with my Elvis (bought at auction) hairpieces. And most important, the twins love the look.
  2. Robert Harris

    A PEEK AT HIGH AND LOW FROM BFI

    Possibly the message is that films should no longer be restored. Simply take an average used copy, missing shots, splices, scratches - and release. We seem to have had it wrong all these years. No reason for Warner Archive or the studios to return to original elements. This seems to not be what...
  3. Robert Harris

    A PEEK AT HIGH AND LOW FROM BFI

    One of (Two of) my pet peeves about the film are that it was shot in 35/8 for no apparent reason other than to announce that it was shot that way. And the fact that the filmmaker has little understanding of what film is. What possible rationale might there be to print in OCN dirt except to make...
  4. Robert Harris

    A PEEK AT HIGH AND LOW FROM BFI

    I always return to (as I recall)n Samuel Goldwyn’s comment when asked how long a film should be. “As long as it’s good.” And then there’s was The Brutalist.
  5. Robert Harris

    A PEEK AT HIGH AND LOW FROM BFI

    Wonderful film. Totally share your sentiments. I’ve always wanted to examine an original print see if if was hand colored.
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