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For what it's worth, I can't see the difference between 2K and 4K on a fifty-foot cinema screen, without a direct point of comparison. Several years ago, I saw some test footage shot on 35mm, screened at both 2K and 4K, Sitting in the middle of the theatre, I think I noticed a very subtle...

They are.

The Criterion Barry Lyndon has the original red Warner logo.

While there's no absolute consensus, and it of course varies depending on the film stock, lenses, lighting conditions etc, my understanding is that a 35mm negative has between 3-4K of real image detail, so scanning at 4K should capture everything that's there and then some.