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  1. StephenDH

    3D The joy of anaglyph 3D.

    I watched the anaglyph of "Silent Madness" and it's no better than most other colour anaglyphs. At least it's not ColorCode.
  2. StephenDH

    3D The joy of anaglyph 3D.

    Yes but it's not worth the effort. However you slice it, anaglyphs, with the honourable exceptions previously noted, are never going to be much good.
  3. StephenDH

    3D The joy of anaglyph 3D.

    There's so much chromatic aberration in "Silent Madness" 3D that it often looks like an anaglyph even though it isn't.
  4. StephenDH

    3D The joy of anaglyph 3D.

    For some reason the anaglyph Spy Kids 3D looked awful on an analogue widescreen TV but much better on a modern digital flatscreen.
  5. StephenDH

    3D The joy of anaglyph 3D.

    The anaglyphs of "It Came from Outer Space" and "Revenge of the Creature" were perfectly watchable on the big screen (at least, they were in 1981). Who knows what condition they're in now. They were the only option just before the 80s 3D stampede. Sometime later I also saw a very impressive...
  6. StephenDH

    3D The joy of anaglyph 3D.

    The absolute worst anaglyph system is ColorCode which uses purple and amber lenses plus a lot of wishful thinking. It seems designed to put people off 3D. Channel 4 in the UK showed "Friday the 13th 3 3D" and "Flesh for Frankenstein" in ColorCode several years ago and they were barely watchable...
  7. StephenDH

    3D The joy of anaglyph 3D.

    Surely the colours (apart from Creature) must be messed up?
  8. StephenDH

    3D The joy of anaglyph 3D.

    Black and white anaglyphs look reasonable in the cinema but everywhere else, in colour or not, they're awful.
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