Recent content by James 'Tiger' Lee

More sync problems - http://www.dvdtalk.com/reviews/70341/gunfight-at-dodge-city-the/ This really needs addressing BEFORE the discs are released.

Another Bond thread ruined by a troll

I think Carnival is 16mm...

Bob, can you say whether Night of the Living Dead (the original) is supposed to be Academy or widescreen? And yay for Gog!

I just hope the Anthony Hopkins re-dub is sent to the extras.

In this case, it's Warner, so I imagine they are well cushioned, but I'd hate to see indie labels loose sales because of him.

And the idiocy continues - http://www.hollywood-elsewhere.com/2015/06/needs-boxy/

He's my fave online reviewer - of films. My only major criticism is I don't think a BD review is much cop when it says it looks better than old TV prints. I mean. well duh!

I dunno...it wouldn't the first 50's European film that everyone shows in 4:3 when it's clearly open matte - Diabolique is an example. I don't think those links are proof really.

Criterion does it again - http://www.dvdtalk.com/dvdsavant/s4825bruc.html

My panasonic had a 16;9 zoom suitable for blus, but that's tricky for one European title I have which is shot for 1.66:1 - and of course, the subs got cut off.

How does one get an open matte blu-ray to play widescreen on a 16:9 TV? Changing the player output to 4:3 puts big black bars at the top and bottom of the image, and if I leave the player output on 16:9, the TV's zooms distort the picture.

THE KEEP!!!! please!

This title was once detained by the British police during the Video Nasties scare.

thanks! What did projectionists do with cases like these - just stick it on 1.85:1 and hope for the best, or dig out the old plates?