Akin to Warner’s verbiage, here again is an Ultimate Collector’s Edition.
And it’s a very good one.
I was fortunate enough to be invited to the premiere of WFRR at Radio City, and the film has stayed with me since then as a unique cinema experience – a rarity in this world of super-hero knock-offs.
It’s as fresh and inviting today as it was back in June of 1988.
And the new 4k is a beautifully produced release.
With effects shots captured in 35/8, it’s beautiful to behold, with an image that remains true after generational loss.
Grain structure, which varies, color, densities, black levels – all beautifully rendered.
WFRR is one of those films for which I remain jealous of those experiencing it for the first time.
An important 4k release from numerous perspectives.
Are all of the little single frame niceties hidden by the animators still intact? Probably not, but I’ll leave that for other to ascertain.
Just grab a copy and enjoy.
Picture – 5
Audio – 5 (Dolby Atmos)
Pass / Fail – Pass
Plays nicely with projectors – Perfect
Makes use of and works well in 4k – 4
Very Highly Recommended
RAH
Robert has been known in the film industry for his unmatched skill and passion in film preservation. Growing up around photography, his first home theater experience began at age ten with 16mm. Years later he was running 35 and 70mm at home.
His restoration projects have breathed new life into classic films like Lawrence of Arabia, Vertigo, My Fair Lady, Spartacus, and The Godfather series. Beyond his restoration work, he has also shared his expertise through publications, contributing to the academic discourse on film restoration. The Academy Film Archive houses the Robert A. Harris Collection, a testament to his significant contributions to film preservation.
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