And updated again. Going with Recommended, as film is not to be missed.
Phillip Boros’ 1982 Canadian production, The Grey Fox is one of those extraordinary little films that should be required viewing by anyone serious about the cinema. Atop the film is an extraordinary performance by Richard Farnsworth, as Bill Miner.
The new Blu-ray from Kino is based upon a new 4k restoration, derived from the original camera negative. It was released earlier in the year as a theatrical DCP, as well as streaming.
Because of that, and wonderful reviews, I’m puzzled by some of the anomalies that I’m seeing, and am wondering if certain shots cut into the OCN might be contemporary CRI, which may have faded at the edges.
Contrast blooms in places. There is a problem with image stability, as the image image constantly meanders around within the frame. The aforementioned sides of the frame are discolored.
In certain instances chroma seems set too high – too much color. Then there is a problem with color shifting, not from shot to shot, but from frame to frame, within shots. Especially noted in neutral tones, the colors constantly shift and change - literally frame to frame.
Still trying (with Kino’s cooperation) to try to figure out what I’m seeing.
Image – 2
Audio – 5
Pass / Fail – Fail
Upgrade from previous incarnations – ??
Recommended
RAH
Robert has been known in the film industry for his unmatched skill and passion in film preservation. Growing up around photography, his first home theater experience began at age ten with 16mm. Years later he was running 35 and 70mm at home.
His restoration projects have breathed new life into classic films like Lawrence of Arabia, Vertigo, My Fair Lady, Spartacus, and The Godfather series. Beyond his restoration work, he has also shared his expertise through publications, contributing to the academic discourse on film restoration. The Academy Film Archive houses the Robert A. Harris Collection, a testament to his significant contributions to film preservation.
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