The film takes on a bit nicer imagery in 4k, and a certain uptick can be noted examining the image close to the screen.
But sit in a normal position, and the film, which was never 4k to begin with, seems a nice match to the Criterion release.
Presumably from the same master, the hi-con titles take on a bit more of a razor edge, while grains for production footage are minimal.
There’s an age-old dilemma here, Criterion Blu-ray or Kino 4k.
To me the answer is simple.
If one already has the Criterion, you’re set.
If you don’t have a copy of the filmi and desire one – it’s a terrific piece of entertainment – go with the 4k, which slightly better.
It remains to be seen how many more of these 50-60 year-old UA productions Kino will license in 4k, but I’ll be interested in seeing how many folks purchase them to supplant their Criterions.
I’d bet not that many.
Akin to Criterion, a nice selection of extras, on a separate disc.
Image – 5
Audio – 5
Pass / Fail – Pass
Plays nicely with projectors – Yes
Upgrade from Blu-ray – If you don’t already have the Criterion
Makes use of and works well in 4k – 3.75
Highly Recommened
RAH
Robert has been known in the film industry for his unmatched skill and passion in film preservation. Growing up around photography, his first home theater experience began at age ten with 16mm. Years later he was running 35 and 70mm at home.
His restoration projects have breathed new life into classic films like Lawrence of Arabia, Vertigo, My Fair Lady, Spartacus, and The Godfather series. Beyond his restoration work, he has also shared his expertise through publications, contributing to the academic discourse on film restoration. The Academy Film Archive houses the Robert A. Harris Collection, a testament to his significant contributions to film preservation.
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