The Empire Strikes Back, directed by Irvin Kershner, is either the second or fifth installment in the series, dependent upon how one is counting.
It was a wonderful film in 1980, and remains so today. Stand the test of time?
You’betcha!
Mr. Kershner, who had been at the film racket for awhile, used to stop in at our Spartacus cutting room, as he was friendly with the editor, Bob Lawrence.
I once asked him, that when he get the big directorial check in the mail, does he celebrate in some way?
He told me that for Empire, he went out and bought himself a new pair of sneakers.
Since uploading my initial review on Disney’s new 4k versions of the Star Wars films, I’ve done quite a bit of re-sampling and trying to figure out how precisely to report upon what I’m seeing.
Beginning with these Few Words, and going back to rework several, I’ll give a double score – one for diehard fans, and others who have alternate agendas, be they replaced/updated shots or scenes, grain smoothing, up-rezzing, what have you.
From a fan perspective, Empire looks fine, with certain shots, especially wide shots, making use of the 4k bandwidth afforded it.
On the other hand, I also noted certain composite shots, that similar to the Disney animated films on Blu-ray, didn’t work from a tech level, without the layer of original moving grain pulling the disparate elements together.
Dolby Atmos (not available on the non-4k Blu-ray) is wonderful.
Image – 5 (fan)
Image – 3 (tech)Audio – 5 (Dolby Atmos)
Pass / Fail – Pass
Upgrade from Blu-ray – Absolutely
Very Highly Recommended
RAH
Robert has been known in the film industry for his unmatched skill and passion in film preservation. Growing up around photography, his first home theater experience began at age ten with 16mm. Years later he was running 35 and 70mm at home.
His restoration projects have breathed new life into classic films like Lawrence of Arabia, Vertigo, My Fair Lady, Spartacus, and The Godfather series. Beyond his restoration work, he has also shared his expertise through publications, contributing to the academic discourse on film restoration. The Academy Film Archive houses the Robert A. Harris Collection, a testament to his significant contributions to film preservation.
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