A few words about…™ – Red Eye — in 4k UHD

If I were still flying, Red Eye would do a good job of dissuading me from doing so.

Any true aficionado of either thrillers or the work of Wes Craven will be easy targets for this new 4k UHD from Paramount.

And in this case, they can buy in confidence.

Since this is a fillum that was created on a late generation of 35mm film stock, film grain is either hardly in evidence or has been massaged, but that’s of no matter, as everything looks terrific.

The image is extremely highly resolved, and is herein reproduced with great care. Audio is also superbly handled and is now in Dolby Atmos.

Performances are believable, with Rachel McAdams and Cillian Murphy as the pro and antagonists, working their way through fun screenplay by Carl Ellsworth.

In short, this is an easy one. Fun thriller. Great 4k release.


Packaging is attractive, with the normal gatefold cover done in underlying metallic. Only oddity is that nowhere on the cover or spine does it note 4k. This may be the case because the film may not have been previously released on either format.

Package contains both 4k and Blu-ray, with all extras on the Blu-ray disc.

Image – 5 (Dolby Vision)

Audio – 5 (Dolby Atmos)

Pass / Fail – Pass

Plays nicely with projectors – Yes

Makes use of and works well in 4k – 4.25

Upgrade from Blu-ray – DID it ever come out on Blu-ray domestically? if so, Absolutely!

Recommended

RAH

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Robert has been known in the film industry for his unmatched skill and passion in film preservation. Growing up around photography, his first home theater experience began at age ten with 16mm. Years later he was running 35 and 70mm at home.

His restoration projects have breathed new life into classic films like Lawrence of Arabia, Vertigo, My Fair Lady, Spartacus, and The Godfather series. Beyond his restoration work, he has also shared his expertise through publications, contributing to the academic discourse on film restoration. The Academy Film Archive houses the Robert A. Harris Collection, a testament to his significant contributions to film preservation.

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Malcolm R

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I recall liking this film, but I'm not sure I've ever watched it since the theater. I don't believe it's ever been out on blu-ray. I think I have the DVD in my collection somewhere.
 

Wayne Klein

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Curiously, one review site claimed this is a 2K transfer upscaled. I just don’t see that at all.
 

Robert Harris

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Curiously, one review site claimed this is a 2K transfer upscaled. I just don’t see that at all.
It’s digital. Anything can happen. Could be derived from a scan of a Ken 8 in HD, but if it is, still looked superb in projection. What do I know. Could be a new secret sauce, and the scan was derived from an iPhone 16.

On this one, I have no concern about how true it might be to a reference print. It either looks great projected in 4k or it doesn’t.

And this one looks great. Beautiful color and density. Highly resolved.

A reviewer may be having gear problems. Happens to all of us at one time or another.

In this case, I believe Wes would be very happy.
 

Rick Thompson

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RED EYE is a textbook demonstration of how to make a tight thriller with no fat, clocking in at 85 minutes with no excess gore (bit of a departure for Wes Craven). Too bad there wasn't a blu only release, but no choice and had to take the 4K with it. That's how much I like this film.
 

cineMANIAC

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This is essentially a remake of Nick of Time, a much "tauter"/leaner, more suspenseful "race against time"-type thriller. I did enjoy Red Eye via this disc (first-time watch). Bit of an odd choice for 4K treatment, though. Paramount continues to confound me with their peculiar inconsistency. Something like What Lies Beneath gets a mediocre ten dollar Blu-ray upgrade, but things like Rough Cut and Red Eye get royal treatment.
 

Wayne Klein

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This is essentially a remake of Nick of Time, a much "tauter"/leaner, more suspenseful "race against time"-type thriller. I did enjoy Red Eye via this disc (first-time watch). Bit of an odd choice for 4K treatment, though. Paramount continues to confound me with their peculiar inconsistency. Something like What Lies Beneath gets a mediocre ten dollar Blu-ray upgrade, but things like Rough Cut and Red Eye get royal treatment.
I wouldn’t call it a remake. There are only 36 dramatic situations and this uses a very similar concept for sure but the theme and dramatic situation is hardly unique.
 

madfloyd

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I wouldn’t call it a remake. There are only 36 dramatic situations and this uses a very similar concept for sure but the theme and dramatic situation is hardly unique.
I love puzzles. I have come with 35. Which one am I missing?
 

commander richardson

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RED EYE is a textbook demonstration of how to make a tight thriller with no fat, clocking in at 85 minutes with no excess gore (bit of a departure for Wes Craven). Too bad there wasn't a blu only release, but no choice and had to take the 4K with it. That's how much I like this film.
Separate bluray release in Germany at same time as release of the 4K
 

Wayne Klein

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Mar 9, 2005
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I love puzzles. I have come with 35. Which one am I missing?
Can’t say. The book was an essential part for those of us who were working on Novels or scripts. Here’s a brief overview (it doesn’t include the variants on the original 36).
 
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