If one loves the work of Robert Altman, his 1980 musical creation based upon the Fleischer animated shorts, will find a place in your heart.
As written by Jules Feiffer, and photographed by Giuseppe Rotunno, the film places the viewer in a new and special world.
The only downside to this Paramount release is its image.
Audio is fine. Full, rich and proscenium filling, the first film to use Paramount’s Vistasonic audio system, which worked with multiple optical tracks within the normal allotted space. It was supposedly to be used for Raiders, but dropped in favor of more traditional audio.
The presumed use of the stereo mags for this release is wonderful.
As to the image, it appears to be an aged transfer, short on resolution, from a secondary element. Film-like, in that the image gently meanders around the frame, and apparently no one thought to try to stabilize. Okay, at best.
As others have noted for more serious situations…
“It is what it is.”
Mr. Rotunno, (On the Beach, Rocco and His Brothers, The Leopard, The Organizer, All That Jazz) God bless him, is 97, and hopefully heading in good health toward 98 in March. An extraordinary cinematographer.
Image – 3.5
Audio – 5 (Dolby TrueHD 5.1)
Pass / Fail – Pass
Upgrade from DVD – Probably
RAH
Robert has been known in the film industry for his unmatched skill and passion in film preservation. Growing up around photography, his first home theater experience began at age ten with 16mm. Years later he was running 35 and 70mm at home.
His restoration projects have breathed new life into classic films like Lawrence of Arabia, Vertigo, My Fair Lady, Spartacus, and The Godfather series. Beyond his restoration work, he has also shared his expertise through publications, contributing to the academic discourse on film restoration. The Academy Film Archive houses the Robert A. Harris Collection, a testament to his significant contributions to film preservation.
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