But that’s irrelevant.
Second Sight Films, a UK entity is about to release the film in 4k, measurably upgrading the earlier Criterion release, and correcting the aspect ratio, from the filmmaker’s then preferred 1.78 to his now preferred 1.66, which seems to be the original correct ratio.
It should be noted that filmmaker aspect ratio preference can change with technology, and that technology’s ability to present the film in requisite quality.
Think Mr. Kubrick and open matte presentations for early home video with minimal resolution.
Second Sight’s new 4k literally glows with Russell Boyd’s cinematography, and a far more highly resolved image. I can honestly say, after seeing this film theatrically, presumably cropped to 1.85, and in various video incarnations, that this makes for an extraordinary viewing experience.
The delicacy of the tonalities captured on film shine through magnificently in this digital interpretation.
Second Sight will offer two variants. A Limited Edition set with both the Theatrical as well as the Director’s Cut, and then a standard issue with only Mr. Weir’s preferred 107 minute Director’s Cut.
The new 4k scan and restoration of Picnic at Hanging Rock has been approved by both director and DP.
Image – 5 (HDR10)
Audio – 5 (DTS HD-MA 5.1)
Pass / Fail – Pass
Plays nicely with projectors – Yes
Makes use of and works well in 4k – 4.25
Worth your attention – 10
Upgrade from Blu-ray – Yes, but keep Criterion for alternate extras
Picnic at Hanging Rock is Very Highly Recommended
RAH
Robert has been known in the film industry for his unmatched skill and passion in film preservation. Growing up around photography, his first home theater experience began at age ten with 16mm. Years later he was running 35 and 70mm at home.
His restoration projects have breathed new life into classic films like Lawrence of Arabia, Vertigo, My Fair Lady, Spartacus, and The Godfather series. Beyond his restoration work, he has also shared his expertise through publications, contributing to the academic discourse on film restoration. The Academy Film Archive houses the Robert A. Harris Collection, a testament to his significant contributions to film preservation.
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