IMHO, Killer’s Kiss is an odd selection for 4k.
Extremely low-budget, shot and directed by a 27 year-old ex-Look Magazine photographer, who does a nice job here, especially shooting the underbelly of New York City.
Capable noir, with a couple of very nicely set up and directed sequences, but it’s still what it was in 1955 – a second feature on a practice run toward a hopeful career.
Three shorts and another feature (Fear and Desire – 1953) coming from Kino had be previously released.
All noted, I’m not certain that this needed to be in 4k, although the blacks presumably take on a nice shine. Scan was OCN.
Very respectful of Kino, who should receive kudos.
Image – 5 (Dolby Vision)
Audio – 5
Pass / Fail – Pass
Plays nicely with projectors – Just fine
Makes use of and works well in 4k – 3.5
Recommended
RAH
Robert has been known in the film industry for his unmatched skill and passion in film preservation. Growing up around photography, his first home theater experience began at age ten with 16mm. Years later he was running 35 and 70mm at home.
His restoration projects have breathed new life into classic films like Lawrence of Arabia, Vertigo, My Fair Lady, Spartacus, and The Godfather series. Beyond his restoration work, he has also shared his expertise through publications, contributing to the academic discourse on film restoration. The Academy Film Archive houses the Robert A. Harris Collection, a testament to his significant contributions to film preservation.
Post Disclaimer
Some of our content may contain marketing links, which means we will receive a commission for purchases made via those links. In our editorial content, these affiliate links appear automatically, and our editorial teams are not influenced by our affiliate partnerships. We work with several providers (currently Skimlinks and Amazon) to manage our affiliate relationships. You can find out more about their services by visiting their sites.
Similar threads