A few words about…™ Idiot’s Delight — in Blu-ray

Idiot's Delight Blu Ray Review
Clarence Brown’s 1939 Idiot’s Delight, starring Norma Shearer, is an oddity for any number of reasons.

It’s an early example of the Hollywood studios referencing the potential of a coming war – with two different endings.

Norma Shearer, one of the top talents in M-G-M’s stable received billing over Clark Gable. The rumor is that David Selznick, seeking a song and dance man, caught Idiot’s Delight at a studio screening, asked who the second lead was, and thought about using him in another film, this one in Technicolor, a first of Gable, would affect this billing for future productions.

Somehow I had never seen Idiot’s Delight except for the song ‘n dance number found in That’s Entertainment. Aside from that oddity – he’s quite bad – the film wouldn’t seem to be of much interest. Those funs of Ms Shearer may enjoy seeing her do an imitation of one of the studio’s other stars, but there just isn’t much meat on the bone here.

That does not deny the fact that it’s a gorgeous Blu-ray from Warner Archive, and a necessity for Gable completists. It was shot by William Daniels, and his work is faithfully reproduced here in all its black and white beauty. Audio is likewise faithfully reproduced.

Image

Forensic – 8.5

NSD – 10

Audio – 10 (DTS-HD MA 2.0)

Pass / Fail – Pass

Plays nicely with projectors – Yes

Upgrade from DVD – If you love the film

Worth your attention – 4

Slipcover rating – n/a

RAH

Robert has been known in the film industry for his unmatched skill and passion in film preservation. Growing up around photography, his first home theater experience began at age ten with 16mm. Years later he was running 35 and 70mm at home.

His restoration projects have breathed new life into classic films like Lawrence of ArabiaVertigoMy Fair LadySpartacus, and The Godfather series. Beyond his restoration work, he has also shared his expertise through publications, contributing to the academic discourse on film restoration. The Academy Film Archive houses the Robert A. Harris Collection, a testament to his significant contributions to film preservation.

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DigniT@DigniT!

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This film is inspiration in part, for the Broadway musical DANCE A LITTLE CLOSER by Alan Jay Lerner and Charles Strouse. The musical famously shuttered after only a handful of performances and wags dubbed it, CLOSE A LITTLE SOONER… some lovely music but not really any more engaging than this film. I’ve never understood the fascination with this story/source material.
 

Robert Harris

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One worthwhile extra on the disc - a Technicolor Loony Tune - The Good Egg.

The first two-color Technicolor was Those Beautiful Dames, released in November of 1934. The final was Billboard Frolics, released at year later in November of 1935.


Three-strip arrived just weeks later - November of 1935, with Flowers for Madame.

One of my favorites arrived in July of 1936 - I love to Singa.
 

Rodney

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One of my favorites as well!

I_Love_to_Singa_owls.jpg
 

roxy1927

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Big hit play with the Lunts and it won the Pulitzer. It touched a chord in that moment of time. How could Louis B and Shearer resist? I saw the film decades ago at the Regency and enjoyed it with an ending I wasn't expecting. As far as I know I've never heard of a revival of the play. Circle in the Square in NY used to revive plays like this but it wasn't one of them. I'd like to see the film again after all this time. Another one of my apart from the crowd tastes-I'm a big fan of Shearer.
 

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I saw the play as part of the Oregon Shakespeare Festival about 20 years ago. I enjoyed it, I felt it captured the feeling of the impending war. I have not seen the film in many years (long before I saw the play) and I am looking forward to picking up this blu-ray.
 

lark144

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Well, Bowsley Crowther loved it, twisting himself into such paroxysms of linguistic inappropriateness I'm surprised they didn't have a straight-jacket ready in the Times Building for such emergencies.

I've never seen it, and generally abhor Norma Shearer, though a cashier who worked with me at one of the cinemas I managed was her roommate when they were both Ziegfeld girls in the 1920's, and said she was totally sweet, a wonderful person to know and be with. For me, that sweetness never managed to get onto the screen, or any other emotion, for that matter.

I was hoping Idiot's Delight would be different. Certainly Mr. Crowther--the man who wrote Doris Day should refrain from being in motion pictures, though he changed his mind later--went into a surfeit of accolades about Ms. Shearer's performance.

I have this on order--with Northwest Passage, a film I'm much more passionate about--but it's for that carefree song and dance man, about to be Technicolored into immortality by the producer with the middle initial which "stands for nothing"; not Norma Shearer, though you never know, I might like her here. Also Williams Daniels' lighting and use of diffusion, which I can't wait to see, as Warner Archive is always beyond exemplary in that regard.
 

roxy1927

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I believe Brooks Atkinson gave the play a rave review when it opened on Broadway at the Shubert. And he was tough to please.

I've never seen it, and generally abhor Norma Shearer
Have you seen Lubitsch's The Student Prince in Old Heidelberg?
She really is lovely in that.
She's also terrific in Escape with Conrad Veidt and Nazimova one of her last films which I don't believe is well known today.
A friend told me about it, I had never heard of it, so when the Regency showed it I jumped at the chance.
 

lark144

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I believe Brooks Atkinson gave the play a rave review when it opened on Broadway at the Shubert. And he was tough to please.


Have you seen Lubitsch's The Student Prince in Old Heidelberg?
She really is lovely in that.
She's also terrific in Escape with Conrad Veidt and Nazimova one of her last films which I don't believe is well known today.
A friend told me about it, I had never heard of it, so when the Regency showed it I jumped at the chance.
I've seen both, though more than fifty years ago.

I love Nazimova in ESCAPE, but forgot Ms. Shearer was in it.

As far as the STUDENT PRINCE is concerned, I thought she was beautifully photographed, but as far as acting was concerned, she left no impression. I couldn't understand why Ramon Navarro was interested in her. She sleepwalks. Not that I have anything against that. I find Gene Tierney's inexpressiveness quite profound. For me, it's ethereal, but also a paragon of feminine experience, that silent suffering, especially in WHIRLPOOL, while others, such as James Agee, considered her clueless, that if she opened her mouth to speak, the word "huh?" would emerge. I disagree. I find her performances profound. That's just me, but then all film gazing is uniquely personal.

But Norma Shearer doesn't move me. She hits her marks, knows how to stand to accentuate the lighting and camera angles. As far as beauty goes, she's just not my type. I look at her and see more house frau than muse.

She looks great in those Adrian designs in A FREE SOUL, but, to paraphrase Dorothy Parker, her performance runs the gamut of emotions from A to A. I mean, you don't need to be a great actress in cinema. It's all about what the camera does, that mysterious transformation. But for this viewer, the camera doesn't especially love Ms. Shearer. And for me, her self-consciousness, that fact that she's "supposed" to be acting, rather than just being, ruins that illusion of loveliness she's trying to project.

Many people whose opinions I respect adore her, but she does nothing for me.

I'm eternally hopeful, though, which is one reason I bought IDIOT'S DELIGHT.
 
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roxy1927

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Not that I have anything against that. I find Gene Tierney's inexpressiveness quite profound. For me, it's ethereal, but also a paragon of feminine experience, that silent suffering, especially in WHIRLPOOL, while others, such as James Agee, considered her clueless, that if she opened her mouth to speak, the word "huh?" would emerge. I disagree. I find her performances profound. That's just me, but then all film gazing is uniquely personal.
I have a friend who I thought would love Tierney in Leave Her to Heaven.
Turns out he watched it and loathed her. I mean not the character but Tierney's acting.
I was like ok...
 

lark144

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I have a friend who I thought would love Tierney in Leave Her to Heaven.
Turns out he watched it and loathed her. I mean not the character but Tierney's acting.
I was like ok...
To each their own. The daily NYTimes critics panned all her performances, going so far as to state LAURA would have been a much better film without her. And Agee hated LEAVE HER TO HEAVEN, not just her, but everything about it, especially the color. That was, as Lou Reed sang in Sweet Jane, "different times".
 

roxy1927

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To each their own. The daily NYTimes critics panned all her performances, going so far as to state LAURA would have been a much better film without her. And Agee hated LEAVE HER TO HEAVEN, not just her, but everything about it, especially the color. That was, as Lou Reed sang in Sweet Jane, "different times".
I know of a number of people who dislike Shearer putting her in that phony MGM Grand Dame category.
How much of a Lynn Fontanne performance she was giving I obviously don't know but she sure tried to look like her.

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I first saw this film decades ago, and it felt then (as it does now) like a great companion piece to "Cabaret" (or "I Am a Camera"). The main characters are dancing their way through the impending world war, pretending to be people they aren't in real life. Norma Shearer in particular is fascinating in her dual characterizations and her "divine decadence" as the mistress Irene. A quick question for you, Robert ... you mention the "two different endings," but I didn't see anything in the listing for this Blu-ray about it containing the alternate ending. I've seen it shown on TCM, but it was omitted as an extra from the DVD release. Is it actually included on this Blu-ray?
 

Robert Crawford

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I first saw this film decades ago, and it felt then (as it does now) like a great companion piece to "Cabaret" (or "I Am a Camera"). The main characters are dancing their way through the impending world war, pretending to be people they aren't in real life. Norma Shearer in particular is fascinating in her dual characterizations and her "divine decadence" as the mistress Irene. A quick question for you, Robert ... you mention the "two different endings," but I didn't see anything in the listing for this Blu-ray about it containing the alternate ending. I've seen it shown on TCM, but it was omitted as an extra from the DVD release. Is it actually included on this Blu-ray?
Yes:

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