I did, however, go through the metamorphosis with one of my best friends, who happened to be a girl. We shared everything. So in a way I can relate to the film.
This is a film that I normally might not review, and in this situation put it on screen for two reasons.
1. Awards season, and I watch everything toward the concept of voting, and finding the good stuff.
2.Lionsgate’s Blu-ray is a rara avis. It’s a small story, in a reasonably insular environment – no car chases, no helicopter or jet fly-overs – AND IT’S ENCODED FOR DOLBY ATMOS!
As a huge Atmos fan, I had to hear this.
But here’s the shocker. It’s actually a terrific little film, as directed by Kelly Freeman Craig, and the lead performance by your Abby Ryder Fortson, is a standout.
Shot with a Sony in 6k, and finished in 4k, the down-razzed Blu-ray looks absolutely gorgeous in 2. I can’t imagine what might have been accomplished by bringing this out in 4.
While the market for the film may have been pre-teen and tween girls, the film is actually a pleasure to watch as an adult.
Shot by Tim Ives, with a score by Hans Zimmer.
No grain. Beautiful digital imagery. Great color.
For those with an Atmos setup, an interesting experiment is to sample with only your Atmos speakers, and see how things work. You’ll find that it’s very delicate.
Image – 10
Audio – 10 (Dolby Atmos)
Pass / Fail – Pass
Plays nicely with projectors – Yes
Worth your attention – 7.5
Slipcover rating – 3 (it replicates the paper insert, but it’s glossy, and that scores a point)
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Robert has been known in the film industry for his unmatched skill and passion in film preservation. Growing up around photography, his first home theater experience began at age ten with 16mm. Years later he was running 35 and 70mm at home.
His restoration projects have breathed new life into classic films like Lawrence of Arabia, Vertigo, My Fair Lady, Spartacus, and The Godfather series. Beyond his restoration work, he has also shared his expertise through publications, contributing to the academic discourse on film restoration. The Academy Film Archive houses the Robert A. Harris Collection, a testament to his significant contributions to film preservation.
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