After reading a few reviews, I was prepared for the worst in screening Mortal Engines, another post-apocalyptic sci-fi drama, directed by Christian Rivers. This one has the imprimatur of the Jackson/Walsh/Boyens team as writers.
Peter Jackson is known for his ability to create disparate worlds from thin air, occasionally with the aid of a pre-existing novel or two.
His best work is, naturally, the world created in Forgotten Silver, one of his most brilliant works.
Captured in 8k, and completed as a 4k DI, Mortal Engines is perfect 4k Blu-ray fodder, and Universal’s release doesn’t disappoint in any way. Both imagery, backed by a pleasant layer of HDR, which can still be nicely projected, as well as an all-encompassing Dolby Atmos mix make for a brilliant home theater presentation.
Is this one of the great films of the era?
Most certainly, not.
But after spending a bit over two hours in its company, I came away liking it far more than any of the last dozen or so films in that Star Wars series, which ended for me in the mid-’80s.
I’ll not go into specifics, but found the film to be a high-water mark in recent digital effects work, possibly having something to do with a New Zealand organization.
The 4k can currently be had for $15, and is well worth the price of admission.
Image – 5
Audio – 5 (Dolby Atmos)
Pass / Fail – Pass
Recommended
RAH
Robert has been known in the film industry for his unmatched skill and passion in film preservation. Growing up around photography, his first home theater experience began at age ten with 16mm. Years later he was running 35 and 70mm at home.
His restoration projects have breathed new life into classic films like Lawrence of Arabia, Vertigo, My Fair Lady, Spartacus, and The Godfather series. Beyond his restoration work, he has also shared his expertise through publications, contributing to the academic discourse on film restoration. The Academy Film Archive houses the Robert A. Harris Collection, a testament to his significant contributions to film preservation.
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