1776 UHD Review

4.5 Stars 50th Anniversary
1776 movie review

1776, the 1972 musical retelling of how this country’s forefathers created and signed the Declaration of Independence, arrives on 4K UHD Blu-ray from Sony Pictures Home Entertainment that includes four different cuts of the film (two in UHD, one in HD, and the laserdisc cut in standard definition).

1776 (1972)
Released: 17 Nov 1972
Rated: G
Runtime: 141 min
Director: Peter H. Hunt
Genre: Drama, Family, History
Cast: William Daniels, Howard Da Silva, Ken Howard
Writer(s): Peter Stone, Sherman Edwards
Plot: A musical retelling of the American Revolution's political struggle in the Continental Congress to declare independence.
IMDB rating: 7.6
MetaScore: N/A

Disc Information
Studio: Sony
Distributed By: N/A
Video Resolution: 2160p HEVC w/HDR
Aspect Ratio: 2.39.1
Audio: Dolby Atmos, English 7.1 Dolby TrueHD, English 5.1 DTS-HDMA
Subtitles: English SDH, French
Rating: Not Rated
Run Time: Director's Cut: 2 Hr. 45 Min.; Extended Cut: 2 Hr. 48 Min.
Package Includes: UHD, Blu-ray, Digital Copy
Case Type: 4-disc UHD keepcase with slipcover
Disc Type: UHD
Region: All
Release Date: 05/31/2022
MSRP: $30.99

The Production: 3.5/5

It is late June 1776 in Philadelphia, Pennsylvania, and John Adams (William Daniels) is encountering opposition from the majority of the Continental Congress on declaring independence from Great Britain. On his side are Benjamin Franklin (Howard Da Silva), Thomas Jefferson (Ken Howard), John Hancock (David Ford) and Richard Henry Lee (Ron Holgate), and it is Franklin who suggests that Lee be the person to propose the subject of independence from King George, mostly because most find Adams obnoxious and disliked. Jefferson is then assigned to draft the declaration, but comes down with a case of writer’s block, until Franklin sends for Jefferson’s wife Martha (Blythe Danner) to visit Philadelphia from their home in Virginia. Jefferson completes the draft, and then must contend with the objections and revisions requested by his fellow congressmen, until finally coming to a vote and signatures on July 4, 1776.

Based on the hit Broadway musical, the film version of 1776 assembled much of the same cast and even the play’s director, Peter H. Hunt, who made his film directorial debut with the film and would later work mostly in television, directing episodes of Mel Brooks’ When Things Were Rotten, Ellery Queen, Baywatch and Touched by an Angel. Unfortunately, Hunt’s inexperience shows occasionally with his over reliance on zoom lenses during many of the musical numbers. Speaking of musical numbers, it is the songs that can make or break a musical, and the songs by Sherman Edwards, while not horrible by any means, are really not all that memorable. What drives the film, though, are the performances (especially William Daniels, Howard Da Silva, and Ken Howard), the screenplay by Peter Stone (adapting his own stage book), and the production design by George Jenkins (Funny Lady, All the President’s Men). This was my first viewing of the film since watching it on NBC way back on July 4, 1976, and much like my long-time friend Keith Parrish (creator and star of my short film The Adventures of Terrific Man), will likely be giving it a spin every July 4th.

Video: 5/5

3D Rating: NA

Sony has done it again, bringing a catalog title to 4K UHD and breathing new life into the picture, despite the fact that the previous Blu-ray (released in 2015) was exceptional for its time (and “mastered in 4K”). The 2160p HEVC-encoded transfer includes both Dolby Vision and HDR10, and boasts a major improvement in overall detail, particularly in the textures of the intricate period costumes and set design. You can almost reach out and feel the embroidery in many of the congressman’s coats and the soot on the walls from the candles and wood fireplaces used to heat Independence Hall during the colder winter months. Contrast is exceptional, also assisting in bringing out much of the increased detail in the picture. Colors are more vibrant and natural, too.

Audio: 4.5/5

The default Dolby Atmos track is a slight improvement over the lossless DTS-HD MA 5.1 mix (also included on the UHD disc). Fidelity, particularly in the musical numbers, is richer, giving the film a wider dynamic range. There are no noticeable discrete height effects, but the track does give a better sense of immersion than the more front-heavy 5.1 mix. Dialogue is clear and understandable throughout.

Special Features: 4/5

Fans, even those who have not upgraded to 4K, will be extremely happy with this 3-disc set (despite being packaged in a 4-disc UHD keepcase). While the UHD disc is movie only, it does include both the Director’s Cut and Extended Cut in 4K UHD and Dolby Atmos. The Blu-ray movie disc is identical to the 2015 release, and Sony has included a third disc of additional special features.

Blu-ray Movie Disc
Audio Commentary with Director Peter H. Hunt, William Daniels and Ken Howard: Only available on the Director’s Cut.

Audio Commentary with Director Peter H. Hunt and Screenwriter Peter Stone: Only available on the Director’s Cut.

Deleted and Alternate Scenes (1080p): Piddle, Twiddle & Resolve with optional commentary (3:30); Reprise of Lees of Old Virginia with optional commentary (1:12); Privy (0:54).

Screen Tests (1080p; 12:52)

Theatrical Trailers (1080p; 4:15): Teaser and Theatrical trailers are included.

Blu-ray Special Features Disc
1972 Theatrical Version (1080p; 141:38): Presented in DTS-HD MA 2.0 mono.

1992 LaserDisc Version (upscaled 1080i; 177:38): Presented in 4:3 letterboxed, including an overture, presented in DTS-HD MA 2.0 stereo. There is an optional commentary track that was included with Pioneer’s Special Edition LaserDisc release with director Peter H. Hunt and moderated by Joe Caporiccio of Pioneer.

Digital Copy: An insert contains a code to redeem a digital copy on Movies Anywhere. At the time of this review, iTunes/Apple TV offered the Director’s Cut in 4K Dolby Vision/HDR10 and 5.1 Dolby Digital. Vudu and Primer Video offered the Director’s Cut in 4K (no HDR) and 5.1 Dolby Digital, while the Movies Anywhere app only offered the Director’s Cut in HD and 5.1 Dolby Digital but with 4K rights. No additional cuts or special features were included on any digital retailer.

Overall: 4.5/5

Over the years, 1776 has gained a cult following, and those fans will be delighted with this release.

Todd Erwin has been a reviewer at Home Theater Forum since 2008. His love of movies began as a young child, first showing Super 8 movies in his backyard during the summer to friends and neighbors at age 10. He also received his first movie camera that year, a hand-crank Wollensak 8mm with three fixed lenses. In 1980, he graduated to "talkies" with his award-winning short The Ape-Man, followed by the cult favorite The Adventures of Terrific Man two years later. Other films include Myth or Fact: The Talbert Terror and Warren's Revenge (which is currently being restored). In addition to movie reviews, Todd has written many articles for Home Theater Forum centering mostly on streaming as well as an occasional hardware review, is the host of his own video podcast Streaming News & Views on YouTube and is a frequent guest on the Home Theater United podcast.

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JPCinema

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I've always felt the sound was weak from the first time I saw it. A small orchestra in a room with poor acoustics is what 1776 sounds like in comparison with other musicals.
 

John Maher_289910

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I've always felt the sound was weak from the first time I saw it. A small orchestra in a room with poor acoustics is what 1776 sounds like in comparison with other musicals.
Not on laserdisc. It sounded great. The DVD sound is horrible. Never bought the Blu.
 

Moe Dickstein

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Thanks for the review, it stood out to me how you described seeing the detail in the costumes and it reminded me of when Peter Hunt and I were in the color bay at Sony with the masterful Sherri Eisenberg and Grover Crisp who did heroic work recovering this film from the negatives.

This is a film that has changed my life and I have seen several hundred times - but that first 4K viewing in that bay it was suddenly as if it was the first time, and I was just constantly noticing new things and the quality of the thing was just jaw dropping. A few years later we finally saw the Blu-Ray released and that was a wonderful step up, and then later the 4K version was available on streaming - also a great way to view but of course limited by streaming bit rates.

This new disc I expect will give me that same feeling as I had in the bay watching this incredible restoration for the first time.

There were even a few fixes we were able to make that day - the white out at the end of Mamma Look Sharp being the main one. It had never gone fully to white as Peter always intended and Sherri made it happen in a couple minutes with a few mouse clicks and keystrokes. Truly wonderful.
 

Noel Aguirre

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It looks good but not great to me but I think that’s inherent of the film stock used at the time and not any fault of the disc itself. Visually it reminds me of another film made in the same period Reader’s Digest Musical Adaptation of Tom Sawyer. And as the reviewer mentions (sic) dated in its visual style along with unmemorable musical songs.
That said I would still love to see a Broadway revival of it as it structurally looks to me to be more stage oriented and the music live would be more compelling.
Thanks Todd for a very thorough review.
 

cadavra

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Question: Is the "Lees of Old Virginia" reprise only a deleted scene, or has it been reinserted into either the director's cut or extended cut? Hunt told me shortly before he passed away that he "got a lot of shit" about omitting it and now regretted doing so.
 

Josh Steinberg

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Question: Is the "Lees of Old Virginia" reprise only a deleted scene, or has it been reinserted into either the director's cut or extended cut? Hunt told me shortly before he passed away that he "got a lot of shit" about omitting it and now regretted doing so.

It has been reinstated in the “extended cut” that appears on both the 2015 BD and the 2022 UHD.
 

Kevin Fox

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Anyone notice a dialogue change in the scene where they are voting on whether or not to debate the question of independence?

On every version I've ever watched, from Laserdisc through the Blu-ray, I would swear that when they "Second call Rhode Island" Stephen Hopkins returns and says "You'd think the Congress would have its own privy," but on the 4K, the dialogue has been altered to say "its own pisser." It sounded badly dubbed too. I have no idea why this was changed.
 

Moe Dickstein

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Anyone notice a dialogue change in the scene where they are voting on whether or not to debate the question of independence?

On every version I've ever watched, from Laserdisc through the Blu-ray, I would swear that when they "Second call Rhode Island" Stephen Hopkins returns and says "You'd think the Congress would have its own privy," but on the 4K, the dialogue has been altered to say "its own pisser." It sounded badly dubbed too. I have no idea why this was changed.
This was changed in 2015, and has been discussed extensively in the other threads.

It's an entirely different take. The "privy" line was a censorship to get a G rating, and I found in the lined script that one alternate take was done with the original line from Broadway, "pisser". We screened the shot when they found it and not only was the original line there, but it was a better performance take as well.

For the first DVD, pisser was used in the Director's Cut, and privy was kept in the extended version, but thankfully the correct take was used in BOTH versions this time.

So it wasn't dubbed, but the sound was of course newly mixed from the stored takes in 2015 where the majority of the sound work was done in 2002 for the first DVD in 5.1
 

Indy Guy

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I was hoping to gain a new appreciation for 1776 from these multiple versions and 4K bells and whistles, but for me it still ended up an odd production. It seems a strained mix of Broadway comedy and so-so show tunes overlaid with historical inaccuracies presented in authentic detail.
This combination works at odds with the dramatic events of America's founding.
In the more contemporary Hamilton for example, there is no question about the intent of the musical show or the special way in which history is being interpreted.

For me the most dramatic musical telling of the American experience is located in EPCOT..."The American Adventure". In a brief 30 minutes, an animatronic cast led by Franklin and Mark Twain manages to stir emotions with a very beautiful original score and terrific narrative. The story is split between the 2 American icons as they chronicle key moments in America's history.
The decision to cast Franklin and Twain as partners in telling an overarching emotional story frees the production from getting trapped by a slow linear narrative.
Franklin and Twain's differing time-frames and political perspectives offers insight on significant historical events, while the shows closing song "Golden Dream" is so emotionally stirring that it could easily replace the national anthem!
Also to me, Dal Mckennon's animatronic Franklin delivers a more believable take on the senior statesman than Da Silva's Broadway clowning.
 

Mark Mayes

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This had never been one of my favorites until I noticed that the songs and dramatic highlights were remaining in my memory for weeks after viewing the film.

The 4K has been a go-to for me in the short time since its release.
A very powerful film, with an excellent anchoring performance by William Daniels.
 

Jack P

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For me the most dramatic musical telling of the American experience is located in EPCOT..."The American Adventure". In a brief 30 minutes, an animatronic cast led by Franklin and Mark Twain manages to stir emotions with a very beautiful original score and terrific narrative. The story is split between the 2 American icons as they chronicle key moments in America's history.
The decision to cast Franklin and Twain as partners in telling an overarching emotional story frees the production from getting trapped by a slow linear narrative.
Franklin and Twain's differing time-frames and political perspectives offers insight on significant historical events, while the shows closing song "Golden Dream" is so emotionally stirring that it could easily replace the national anthem!
Also to me, Dal Mckennon's animatronic Franklin delivers a more believable take on the senior statesman than Da Silva's Broadway clowning.
I'm a great fan of "The American Adventure" too, but I have to say in all honesty that the scene where Franklin visits Jefferson with drafts of the Declaration lying on the floor and the references to Adams in the scene clearly was inspired by "1776" (which was another reason why I enjoyed it).
 

uncledougie

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I showed the Blu-ray to one of the nephews previously, but will show it to the eldest this week this time in UHD. Certainly looking forward to comparing this upgrade to what I thought was already a fine looking blu…I was thrilled when the laserdisc came out many years ago; that cut being included here is both astonishing and gratifying, albeit in SD only. No complaints. Somebody at Sony/Columbia did a great thing greenlighting this release.
 
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