Electric Boogaloo - The Wild Untold Story Of Cannon Films dvd (1 Viewer)

Can't believe this excellent documentary has not been released outside Australia -- it's about time you folks in the world beyond our golden shores get to see this great movie.


I've sat through it many times since it came out late 2014 and is as good as Mark Hartley's other documentaries "Not Quite Hollywood" and "Machete Maidens Unleashed"


It was released by Umbrella Entertainment down here, it is region free and in NTSC -- and with the exchange rate being US$1.00 = AU$1.32, I think its time you all did yourselves a favour and bought this movie, currently AU$24 plus postage (and no, I'm not one of the producers or have any connection with the movie -- just saw plenty of Cannon movies and love this celebration of Golan Globus and their legacy)


It is available on many online retailers, but try here at JB HiFi, the biggest movie retailer here in this country and see how you go:


https://www.jbhifi.com.au/movies-tv-shows/movies-tv-shows-on-sale/documentary/electric-boogaloo-the-wild-untold-story-of-cannon-films/630899/

Does it mention the Cannon MovieTales?

No Cannon MovieTales I'm afraid -- didn't have my favorite Cannon fodder "Young Warriors" with Ernest Borgnine and Richard Roundtree as cops, but it has plenty of the 'seminal' Cannon classics included.

The title alone makes me want to see the film!

For however long YouTube lets it stand, a somewhat under-the-table version did surface on the site--



I'd rather have it on nice, clear, rights-approved Blu with NTSC sound in this country, though. Amazing how much of this history I remember from theaters.

Brian McP said:

No Cannon MovieTales I'm afraid -- didn't have my favorite Cannon fodder "Young Warriors" with Ernest Borgnine and Richard Roundtree as cops, but it has plenty of the 'seminal' Cannon classics included.

Click to expand...

No Cannon Movie Tales?? How can you tell the 80's Greek-tragic decline of Cannon's attempt to break out of their Chuck Norris image and become a mainstream A-studio without it?

That would be like leaving out Mack the Knife and Grace Quigley!

I must second the recommendation of the original poster on this one. The film even briefly covers Cannon attempts for artistic credibility i.e. Godard, Cassavettes, etc collaborations.

Drafthouse Films has the U.S. rights to this documentary, so they should be announcing their release plans soon.

The Youtube upload has been taken down...

An end caption says that Menachem Golan had been contacted to participate in the documentary but "announced that he'd be producing his own documentary, 'The Go-Go Boys', instead. It beat us to the theaters."

(After ending the documentary on Golan's 21st-Century Film Co. split with Globus, resulting in the dueling Lambada pictures racing each other to the theaters.)


So, there's two Cannon pictures documentaries? Any confirmation on the existence of the second one, aside from the IMDb listing?

(And apart from the fact that Hartley got Bo Derek to actually interview onscreen for the movie about her Cannon Pictures years, rather than just "Archive footage"...Wow, thirty years have been kind. )

I can confirm that The Go-Go Boys does exist as it was shown at the Jewish Film Festival in Sydney during November 2014. However, I didn't get a chance to see it.

Oooh, a domestic release? Consider me SOLD! I've been thinking of getting the Aussie version for awhile now, but just quite haven't had the funds yet. But now, I'll hold off until Drafthouse's release!

I've now seen both ELECTRIC BOOGALOO and THE GO-GO BOYS: THE INSIDE STORY OF CANNON FILMS (2014). They make for an interesting double feature.

GO-GO BOYS is an authorized Documentary on Menachem Golan and Yoram Globus which was, in typical Cannon Films fashion, rushed into production to be completed before a competing film was released - the decidedly UN-authorized ELECTRIC BOOGALOO: THE WILD UNTOLD STORY OF CANNON FILMS. It not only beat that film into release, it debuted at the Cannes Film Festival. The French debut was fitting since Cannes was the place where the legend of Golan and Globus was made back in the 80s.

Director Hilla Medalia spends the first portion of the movie showing how the two cousins established a beachhead in their native Israel in the 60s producing movies which were commercial and critical successes. Remarkably, the duo also got four of their films nominated for Best Foreign Language Film including one Directed by Golan himself (OPERATION THUNDERBOLT) - something that has gotten little notice over the years. Their first English language movie, TRUNK TO CAIRO (with George Sanders!), didn't fare so well.

Israel proved to be too small a pond for the Go-Go Boys to fish in, so they set off for Hollywood in 1980. Their first pictures didn't make much of a splash, but they soon got some notice for hiring the likes of Charles Bronson and Chuck Norris to lead their budget action pictures. But, it was one of their cheapest and most hastily produced low low budget pictures which boosted their finances, BREAKIN', which grossed almost $100M in adjusted dollars. Golan was always the creative partner, while Globus was the money guy. As is said in various ways during the Doc - Golan spent money as quickly as Globus could raise it. At Cannes they would make deals for films that were not only uncompleted, but often unwritten and even without a title. Golan famously signed Jean Luc Godard to a 'contract' on a cloth napkin.

What's noteworthy here is that what we think of as “Cannon Films” really lasted only five years. By the end of the 80s their lavish spending (including buying movie theater chains and EMI studios) put them on the verge of bankruptcy. Golan was essentially forced out of his own company and founded the short-lived and only modestly successful 21st Century Corporation (Full Disclosure: I worked on two of their films*). Globus hooked up with Italian financier Giancarlo Parretti to not only save Cannon, but, also to purchase MGM studios. That partnership ended in scandal, and 21st Century didn't even last until the end of the 20th. Both Cousins (who were at that time no longer on speaking terms) ended up retreating to Israel.

GO-GO BOYS takes a much more personal approach to telling the story of Cannon films than the chatty, gossipy ELECTRIC BOOGALOO. The latter Doc is more entertaining and it gets into more of the downside of the partnership. Still, GO-GO BOYS has its merits. Some of the interviewees like studio exec Tom Pollock and Director Boaz Davidson give insight into the business end and actors Michael Dudikoff and a, very colorful and enthusiastic, Jean-Claude Van Damme give us some behind the scenes details. The cooperation of the two principles (which they denied to the competing film) gives the viewer a more personal look at the men and their careers. Director Medalia does push them on their failures and gets a few morsels from Globus, but Golan was intransigent to the end (he passed away less than three months after the Premiere). He refused to talk about the colossal bomb with SUPERMAN IV and only discussed the slightly less embarrassment of OVER THE TOP in terms of bragging about Sylvester Stallone's paycheck. It's a heartfelt Documentary, if not a fully frank one.


* I worked with Menahem Golan on two films. Both shot in Moscow in the fall and winter of 1991-2. Menahem Directed the second picture himself (HIT THE DUTCHMAN). He was still full of energy and still quite the salesman. They were period gangster pictures and he was taking advantage of the cheap Soviet ruble at the time. RIP

I liked ELECTRIC BOOGALOO and it would make a good double feature with documentary i just saw last week on the history of HandMade Films AN ACCIDENTAL STUDIO.