The Skeleton Twins is the latest on-screen pairing of Kristen Wiig and Bill Hader. But unlike any of their other projects, it's a much more substantial film, allowing them to showcase their versatility as both comedic and dramatic actors.
The story focuses on twins Maggie and Milo Dean (Wiig and Hader), who were once close-knit but drifted apart 10 years earlier. Coincidentally, they both try attempting suicide at the same time, but by good luck and good timing, both their lives are spared. And they're given a second chance to reconnect with one another and mend their relationship.
The film premiered earlier this year at Sundance, and it's receiving a wide release this month.
From my full review:
The story focuses on twins Maggie and Milo Dean (Wiig and Hader), who were once close-knit but drifted apart 10 years earlier. Coincidentally, they both try attempting suicide at the same time, but by good luck and good timing, both their lives are spared. And they're given a second chance to reconnect with one another and mend their relationship.
The film premiered earlier this year at Sundance, and it's receiving a wide release this month.
From my full review:
4.5 out of 5. Although the story's bittersweet message may sound clichéd, Wiig and Hader fully commit to it, making it work with their effortless charm and even turning what could have easily been an eye-rolling moment — a sing-along to Starship's "Nothing's Gonna Stop Us Now" — into the highlight of the film. In fact, it may even be the most grin-inducing scene to grace cinema screens all year. You'd be hard pressed not to walk out of the film with a tear in your eyes and a smile on your face.As part of his recovery, Milo — who's emerged from his suicide attempt slightly more worse for wear that his sister has from hers — makes the return trip back to Nyack with Maggie, where he meets her well-intentioned yet dull-witted husband, Lance (Luke Wilson), for the first time and feigns not being overtly mortified by his and Maggie's mundane lifestyle. As he gets caught up on all the gory details he's missed over the past decade — including Maggie and Lance's plans to have kids and to take a long overdue Hawaiian honeymoon — he's inspired to revisit the ghosts from his own past, by trying to rekindle his relationship with a former flame, teacher Rich Levitt (Modern Family's Ty Burrell, in a clear departure from his usual sitcom antics).
Needless to say, homecomings such as these rarely ever work out as intended, and never are they uneventful. Eventually, the complications of Maggie and Milo's lives come unraveled, and all the answers to the mysteries posed early on in the film — namely, what caused the rift between them and why Maggie feels the need to kill herself — are laid bare through a series of revelations about their family life and their childhood, as well as confessions about past (and ongoing) indiscretions.
Aside from depression and suicide, the film also dabbles in equally heavy themes like infidelity, sexual abuse and parental abandonment, but — with almost complete credit owing to Wiig and Hader's performance — rarely does it ever dwell on the negative. Each time Johnson has the narrative follow Maggie and Milo down into a low point in their lives, he almost immediately follows it up with a high — whether it be an emotional or a humorous one, or both — ultimately leading Maggie and Milo to the realization that as long as they have each other, they can withstand whatever hardship life throws at them