One of the most famous Japanese films ever made and one of the most revered films in international cinema, Yasujiro Ozu’s Tokyo Story is perhaps the director’s greatest drama portraying in his legendary style the domestic dynamic between parents and children that has become the norm not just in Japanese society but in many parts of the civilized world. Paced in the measured cadences for which the director is known, Tokyo Story exerts the kind of truthful magnetism that is impossible to both resist and forget.
Distributed By: N/A
Video Resolution and Encode: 1080P/AVC
Aspect Ratio: 1.33:1
Audio: Japanese 1.0 PCM (Mono)
Rating: Not Rated
Run Time: 2 Hrs. 16 Min.
Package Includes: Blu-ray, DVDbook-like holder inside a slipcase
Disc Type: BD50 (dual layer)
Release Date: 11/19/2013
Elderly parents Shukichi (Chishu Ryu) and Tomi Hirayama (Chieko Higashiyama) take a long train journey to visit their children most of whom live in Tokyo and whom they haven't seen in quite a while. Their doctor son Koichi (So Yamamura) and beautician daughter Shige (Haruko Sugimura) are busy with their own lives and find every excuse they can to cut short their visit eventually sending them to a noisy hot springs spa at Atami just to get them out of their hair. The one family member who treats them with respect and attention is their daughter-in-law Noriko (Setsuko Hara) who had been married unhappily to their now deceased son but who feels closer to them than their blood relations. So busy are they all that no one notices that Tomi has been having dizzy spells and memory lapses during the trip signaling that something might be seriously wrong with her.
The Production Rating: 5/5
The ever-widening generation gap is the focus of Ozu and Kogo Noda’s screenplay (even more distant is the relationship between Tomi and Shukichi and their grandchildren who really don’t want to be around the older couple unless there is some kind of outing involved), and the couple expresses their disappointment in their children during more than one interchange between themselves. (Those familiar with Leo McCarey’s Make Way for Tomorrow will notice a similar theme between the movies though McCarey’s film is more melodramatic.) Ozu films his scenes with his usual steady camera with very little movement from it thus allowing the viewer to soak in the body language and the verbal cues to everyone’s real feelings about one another. Nothing is ever rushed about the movie: the arrival dinner where the selfish Shige resents serving two meat dishes to her parents, a drunken night on the town for Shukichi as the old men present each lament their children’s failures, the terrible sleepless night for the elderly couple at the spa as the younger people there have their revelries, the climactic funeral. Ozu offers such a rich, emotional tapestry in the movie, but he makes viewers work for their rewards: nothing is ever over-enunciated or hammered home in cinematic terms.
And the performances are so real and true that they really don’t seem like acting from any of these players, many of whom had appeared in handfuls of Ozu productions. The three top-billed actors: Chishu Ryu, Hieko Higashiyama, and Setsuko Hara give devastatingly complex performances as the father, mother, and daughter-in-law, Hara’s breakdown near the end being one of the most heartbreaking moments in all of cinema. So Yamamura and Haruko Sugimura as the selfish son and daughter have more traditionally one-note characters but are nevertheless fascinating in their crass self-centeredness and egotism. Kyoko Kagawa as the youngest daughter, a schoolteacher still living at home with her parents, also offers some touching moments on both ends of the film.
The film is presented in its theatrical 1.33:1 aspect ratio and is offered in 1080p resolution using the AVC codec. Sharpness is mostly quite good throughout the presentation, and the transfer is not mottled by age-related scratches, debris, or damage. There is a fair amount of line twitter in those wooden-laced structures which populate the film, and there is some aliasing to be seen in some occasional shots as well. There is also some contouring of a kind in the sky backgrounds, and while the grayscale is pleasing, the black levels are certainly not of reference quality. The white subtitles are very easy to read. The film has been divided into 26 chapters.
Video Rating: 3.5/5 3D Rating: NA
The PCM 1.0 (1.1 Mbps) sound mix is very much a product of its age with very little on the low end in the mix and obvious ADR. While the Japanese dialogue is clean and sound effects and music don’t overpower it on any occasion, there is some soft hiss present that can be heard during quieter scenes.
Audio Rating: 3.5/5
Audio Commentary: film historian David Desser brings a very scholarly knowledge of Ozu’s oeuvre to his engaging and informative commentary track.
Special Features Rating: 5/5
Talking with Ozu (39:33, HD): filmmakers around the globe comment on their first experiences with an Ozu film and what his work has meant to them in their own projects. This 1993 documentary was commissioned by Ozu’s home studio Shochiku on his 90th anniversary year, thirty years after this death in 1963.
I Lived, But… (2:02:48, HD): a 1983 biographical and occupational documentary featuring friends, family, and collaborators of Ozu who reminisce about his life and work with many clips from his silent and sound films which stretched from 1927-1963.
Chishu Ryu and Shochiku’s Ofuna Studios (45:09, HD): Japan’s (then) oldest still-working actor who appeared in literally all of Ozu’s films and whose career paralleled the construction and utilization of the Ofuna Studios is interviewed in this 1988 documentary as he recalls experiences working at the studio as several major buildings are being torn down for its latest renovations.
Theatrical Trailer (4:20, HD)
Fourteen-Page Booklet: contains the chapter listing, the cast and crew lists, a selection of stills from the movie, and film critic David Bordwell’s analysis of the movie.
Timeline: can be pulled up from the menu or by pushing the red button on the remote. It shows you your progress on the disc, the title of the chapter you’re now in, and index markers for the commentary that goes along with the film, all of which can be switched on the fly. Additionally, two other buttons on the remote can place or remove bookmarks if you decide to stop viewing before reaching the end of the film or want to mark specific places for later reference.
DVDs: the film and a separate disc of its bonus features are also included
Highly Recommended! Yasujiro Ozu’s Tokyo Story contains the distillation of everything about the filmmaker that made him one of international cinema’s most brilliant and admired talents. With the best-ever home video release and a rich, comprehensive selection of bonus material, this package would be very hard to beat.
Overall Rating: 4.5/5
Reviewed By: Matt Hough
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