-

Jump to content



Photo
Blu-ray Reviews

The Jazz Singer (1927) Blu-ray Review



  • You cannot start a new topic
  • Please log in to reply
41 replies to this topic

#1 of 42 OFFLINE   Cameron Yee

Cameron Yee

    Executive Producer

  • 10,522 posts
  • Join Date: May 09 2002
  • Real Name:Cameron Yee
  • LocationSince 2006

Posted January 05 2013 - 05:39 AM

The groundbreaking film “The Jazz Singer” makes its debut on Blu-ray with an impressive high definition picture and sound presentation. Those looking to move up from the 2007 deluxe DVD edition will find it a relatively clean upgrade path, though they should be aware of one minor change to the collection of bonus material. All others should have little reason to hesitate.





The Jazz Singer

Release Date: January 8, 2013
Studio: Warner Home Video
Packaging/Materials: Three-disc Blu-ray DigiBook
Year: 1927
Rating: NR
Running Time: 1:36:14
MSRP: $35.99


  THE FEATURE SPECIAL FEATURES
Video AVC: 1080p high definition 1.33:1 Standard and high definition
Audio DTS-HD Master Audio: English 1.0 / Dolby Digital: Polish 1.0 Dolby Digital: English 1.0, English 2.0
Subtitles English SDH, French, Spanish (Castellano), Spanish (Latino), Portuguese, Korean, Polish Variable

If you’re like me, you heard about Al Jolson’s “The Jazz Singer” before you ever had a chance to see it. Known as the film that changed the course of an industry with its groundbreaking use of recorded sound, it’s been hailed, dissected and parodied, to the point one need not have seen the film to know either its basic story or when it’s being referenced (though the cartoon “I Love to Singa” and musical “Singin’ in the Rain” have likely provided the lion’s share of any pop culture awareness). Released on DVD in 2007 in a fantastic three-disc deluxe edition, the film now makes its debut on the Blu-ray format, upgrading the feature’s picture and sound to high definition, re-pressing the DVD edition’s second and third discs, and re-packaging it all in Warner Home Video’s signature DigiBook case. As usual, owners of the older edition are faced with a decision whether to upgrade, but Warner offers an attractive incentive with another quality HD transfer and presentation, though it does leave off a handful of vintage trailers that were found on the DVD edition, which may give some upgraders pause. First time purchasers will have fewer things to consider, and shouldn’t hesitate about the release if they want to include this seminal film in their collections.


The following includes material from Ken McAlinden’s fantastic evaluation of the 2007 DVD edition and has been italicized for identification purposes.


The Feature: 4/5

"The Jazz Singer" tells the story of Jakie Rabinowitz. In the New York-set prologue, Young Jakie (Robert Gordon) earns the disapproval of his father for singing jazz in nightclubs. His father (Warner Oland) is the latest in a long line of Cantors, and as such, is a prominent citizen in the local Jewish community. After a heated exchange, Young Jakie runs away from home, and his father declares that he has no son. Several years later, we catch up with Jakie (Jolson), who has changed his name to the less ethnic "Jack Robin." His attempts to break into show business are aided in no small part by Mary Dale (May McAvoy), herself an ascending star, who puts in a good word for Jack at every opportunity, culminating in their pairing in a Broadway show. Returning triumphantly to New York on the cusp of stardom, his mother (Besserer) and family friend, Yudelson (Otto Lederer), welcome him with sympathy if not understanding, but his father remains intransigent. Tragic circumstances on the eve of opening night put Jakie in the position of having to choose between his faith and his career.


While the plot of "The Jazz Singer" was pretty tired melodrama even by 1927 standards, and the Hollywood ending actually dramatically undermines the importance of a decision its main character makes at the film's climax, it had one thing that no other feature film had in 1927: Al Jolson singing and bantering in synchronized sound. Regardless of what had come before it, this became the proof of concept for "talking pictures" and the beginning of the end for silent cinema. Far from an all-singing all-talking production, "The Jazz Singer" follows the conventions of silent cinema inclusive of title cards in place of dialog in all but a handful of scenes where Jolson is performing musical numbers and talking in between them. Over the course of the next two years, studios discovered that audiences would rather buy a ticket for a terrible talking picture than a great silent picture. By the end of 1929, every major Hollywood studio would be wired for sound, and only a few holdouts, such as Charlie Chaplin, would still be making dialog-free feature films.


Given the pedestrian plot, the film must get by almost exclusively on star power, and for the most part, it does. While Jolson's minstrel act will no doubt date it if not make it downright uncomfortable for modern viewers, there is no denying that his performance, honed considerably through countless nights in front of an audience, explodes off the screen. While far from a polished silent screen actor and much too old for the part of a struggling Broadway hopeful, Jolson acquits himself well enough in the dramatic scenes to string things along until the musical numbers, at which point audiences forgave all shortcomings. As an indication as to what audiences from different eras respond, it is interesting to note that the picture that put the original sound on disc format over the top commercially in the late 1920s featured Al Jolson, billed at the time as the "World's Greatest Entertainer." The picture that put the next sound on disc format over the top almost 70 years later featured computer-generated dinosaurs. :)


Sharp-eyed viewers will note cameos by future "talkie" stars William Demarest (as a friend of Jakie) and Myrna Loy (as a chorus girl discussing Jakie and Mary backstage).


Video Quality: 4/5

Framed at 1.33:1 and presented in 1080p with the AVC codec, the image features deep, inky blacks and solid contrast levels in spite of the film’s 86 years of age. Not to say there aren’t moments when the image looks a bit washed out, but the clean, blemish-free picture and the material’s overall physical integrity are nothing short of impressive. Film grain appears intact with no signs of excessive digital processing, and overall detail looks great, holding up consistently from establishing shots to close ups.


Audio Quality: 3.5/5

The mono DTS-HD Master Audio track is generally crisp, clear and intelligible, though of course there’s some noticeable hiss and limited sonic detail due to the nature of the original recording. However, like the video, the audio track is in remarkable condition considering the age of the source material, and should surprise first time listeners who may have expected something more “vintage” about its quality. Not surprisingly, the best sounding segments are Jolson's various musical numbers; any surrounding dialogue (as when the grown up Jakie is talking to his mother between songs) tends to suffer by comparison, but it remains a fascinating look into the early days of the talking picture.


Special Features: 5/5

The wide ranging and in-depth collection of extras from the DVD edition, covering the background on the film itself to the talkie revolution, have all been carried over with the exception of five trailers from other Jolson films. While this isn’t enough to downgrade the score, it does create a wrinkle in an otherwise smooth transition to a high definition edition.


Collectible Book: Printed materials integrated into the three-disc DigiPack case include essays about the film, actor biographies, numerous promotional and production photographs, and reproductions of the film’s marketing materials, including a printed program distributed at the film’s screening. While it doesn’t include much information that can’t be found in the disc-based extras, having an item you can hold in your hands is always a nice touch.


Disc One

Audio Commentary with Ron Hutchinson of the "Vitaphone Project" and Vintage Music Expert Vince Giordano: The commentary is interesting and informative with very few gaps, although Hutchinson does repeat himself from time to time. They focus on technical aspects of the film and its presentation. They also provide background notes on Jolson and other cast members including how Jolson came to be cast over George Jessel. Hutchinson also explains the purpose and goals of the Vitaphone Project's efforts to recover lost films by matching discs in the hands of collectors with the silent prints in the vaults of studios and collectors.


Al Jolson in “A Plantation Act” (9:59, SD): 1926 short featuring Jolson in blackface in tattered overalls against a rural southern backdrop singing "When the Red Red Robin Starts Bob Bob Bobbin' Along," "April Showers," and "Rock-A-Bye Your Baby With a Dixie Melody." This short was phenomenally popular when it was initially shown, and greased the skids for Warner's production of "The Jazz Singer" the following year. Jolson and the filmmakers apparently anticipated how big it would go over because there are two curtain calls editorially worked into the end of the film. It is presented with DD 2.0 mono sound and is tinted somewhere in the magenta to purple spectrum range. This was considered a lost film for over 50 years until a silent print was discovered in the 1990s mis-labeled as a "Jazz Singer" trailer, and the folks at the Vitaphone Project were able to restore a severely damaged disc to recover the soundtrack.


An Intimate Dinner in Celebration of Warner Bros.’ Silver Jubilee (11:15, SD): A very strange featurette, "Mr. and Mrs. Warner Bros." are congratulated on their anniversary, after which, their child, "Little Miss Vitaphone," introduces all of the stars and dignitaries in attendance including stars Loretta Young, Walter Pidgeon, Walter Huston, Frank McHugh, Joe E. Brown, Edward G Robinson, Joan Blondell, and Douglas Fairbanks, Jr., songwriters Jerome Kern, Rodgers and Hart, Oscar Hammerstein, and many others. The print used for transfer was clearly in very rough shape.


I Love to Singa (8:15, SD): A very funny 1936 Technicolor Tex Avery Merrie Melodies cartoon that spoofs "The Jazz Singer" using a family of owls whose music teacher patriarch is aghast when his son, Owl Jolson, comes out of the egg wanting to sing jazz.


Hollywood Handicap (10:19, SD): 1938 MGM short directed by Buster Keaton set at a racetrack. It features cameos from a lot of stars including Al Jolson and his then-wife Ruby Keeler.


A Day at Santa Anita (18:03, SD): 1937 Technicolor Vitaphone short also set at a racetrack that features a cameo by Al Jolson and Ruby Keeler (I guess they liked to play the ponies). Unlike "Hollywood Handicap," Jolson and Keeler get to do a quick verbal gag routine. It exhibits poor color registration throughout, but it is still fun to see Jolson in Technicolor.


June 2, 1947 Lux Radio Theater Broadcast (58:20, Dolby Digital 2.0 audio only): Presents a complete radio play of "The Jazz Singer," hosted by William Keighley and starring Al Jolson and Gail Patrick with Musical Director Louis Silvers. This adaptation appears to draw from the stage play as much as the film with the Hollywood ending altered back to something a little more reasonable. The item has no pause or fast-forward problems like before, but any chapter stops have also been eliminated.


Theatrical Trailer (7:10, SD) Used to promote the film as it (and Vitaphone sound installations) rolled across the country after the New York premiere, a newly filmed introduction and premiere footage run for four minutes before a clip from the film is even shown.


For whatever reason, the five other trailers that were included in the DVD edition – “The Singing Fool,” “Mammy,” “Wonder Bar,” “Go Into Your Dance,” and “The Singing Kid” – have not been ported over. This probably isn’t a deal breaker for most, but it’s a change nonetheless.


Disc Two

The Dawn of Sound: How Movies Learned to Talk (1:25:13, SD): This feature length documentary provides an excellent overview of the history of sound motion pictures from early unsuccessful experiments from Thomas Edison, to the sound on film experiments of Theodore Case working with Lee De Forest, to the Bell Labs breakthroughs in electrical recording and amplification in the 1920s that led to the commercialization of the sound on disc process used by Vitaphone and the improved optical sound on film process developed by Case and used by Fox Movietone, to the ultimate widespread adoption of sound on film by the early 1930s.


Technical discussions are nicely balanced with more personalized anecdotes. There is some nice background on the Warner Bros. and their working relationship in the early days of their studio leading up to Sam Warner's eventual championing of talking pictures in general and 'The Jazz Singer" in particular prior to his untimely death just before that film's premiere. The latter portions of the film deal extensively with the effect that the advent of sound had on the careers of several stars, some of whom thrived, some of whom were hurt when their voices or accents proved unsuitable for sound, and, in the case of John Gilbert, one whose career was derailed simply by the popular misconception that his voice was unsuited for sound.


Commentators from both new and archival interviews include: Ron Hutchinson of the Vitaphone Project, "The Speed of Sound" author Scott Eyman, film historian Rudy Behlmer, Jack Stanley of the Thomas Edison Menlo Park Museum, Robert Gitt of the UCLA Film and Television Archives, Princeton University history professor Emily Thompson, UCLA film historian Jonathan Kuntz, Jack Warner, Jr., sound designer/director Ben Burtt, critic/historian Leonard Maltin, Case Research Laboratory Museum Director Eileen McHugh, bandleader/period music authority Vince Giordano, actress Thelma White, Broadway/TV star Rose Marie, producer A.C. Lyles, sound designer Dane A. Davis, composer/Vitaphone Studio musician Sanford Green, actor Charles "Buddy" Rogers, actor Mickey Rooney, actress Anita Page, author Mark A. Viera, daughter of John Gilbert Leatrice Fountain, and daughter of Harold Lloyd Suzanne Lloyd.


The picture quality offers a solid, if not spectacular rendering of the program, most of which was shot on 4:3 video. As one would expect, the newly shot talking-head interviews look substantially better than the handful of archival interviews, and they all look better than the archival film clips, with the possible exception of some razor-sharp excerpts from the 1952 MGM film "Singin' in the Rain," which are used to humorously illustrate some of the issues associated with the early talkie period. The closing credit titles exhibit some unusual frame jitter. If it was an intentional attempt to make it look like a piece of vintage film, it only managed to make it look like defective video.


Audio for the program is an unambitious Dolby Digital 2.0 stereo soundtrack appropriate for a talking head documentary, for which most of its vintage clips are from monophonic sources.


Gold Diggers of Broadway Excerpts (15:45, SD): A mixup on the original DVD review copy has been addressed so the clips from this once lost, 1929 film are viewable as listed. The first is a musical number of “Tip Toe Through the Tulips” (5:28) and the second is the film’s finale number (10:11). The latter is incomplete, however, missing film at about a minute to the end of the clip. Its audio is intact, however, and plays to the clip’s completion.


The Voice from the Screen (15:30, SD): A technically oriented short shows how the vintage Vitaphone process works. The narration is dull and non-professional, but there are some neat technical behind the scenes shots intercut with the dry lecturing.


Finding His Voice (10:45, SD): An early sound cartoon from 1929 co-directed by Max Fleischer, the animated character Talkie plays music, talks, and interacts with Mutie, a piece of silent film with a gag around its mouth. They go to see Dr. Westin to get Mutie a voice. Technical information about how sound on film works is worked into the silly, but fun, animation narrative.


The Voice that Thrilled the World (18:04, SD): 1943 short tells the story of sound on pictures.


OK For Sound (19:45, SD): 1946 short celebrates the 20th Anniversary of the talking picture.


When the Talkies Were Young (20:22, SD): 1955 short consists of a collection of clips of early appearances by future movie stars like James Cagney, Spencer Tracy, Bette Davis, Edward G. Robinson, Barbara Stanwyck, Clark Gable, and John Barrymore. Every movie featured is spoiled terribly, so consider yourself warned. This vintage featurette was also included on the DVD of the Doris Day film "Lucky Me."


Disc Three

Vitaphone Shorts (3:35:13, SD)

All of the shorts run between seven and 11 minutes and have complete audio tracks. Two of the shorts, identified as "Elsie Janis In a Vaudeville Act: Behind the Lines" and "Trixie Friganza in My Bag O’ Tricks," are missing film elements, although in the case of "My Bag O' Tricks," it is a minor issues since the piece that is missing, due to nitrate decomposition, is essentially the first part of a radio comedy routine being performed on film. By the time Friganza incorporates more visually interesting singing and bass playing into her routine, the visuals are reinstated. The shorts are presented in 4:3 black and white video except for a couple that are tinted.


The shorts generally feature musical and comedy vaudeville acts doing their things, and will appeal strongly to fans of jazz and novelty music of the 1920s. The camera set-ups are generally very straightforward with few cuts through the length of the shorts. One of the funnier shorts, "Joe Frisco in The Happy Hottentots," also seems to be the most editorially sophisticated with scenes shot on multiple sets. While I occasionally saw performers I recognized or have heard of before, such as William Demarest doing one of his trademark falls in "The Night Court," George Burns and Gracie Allen trading quips with a bit of soft shoeing in "Lambchops," or future TV star Rose Marie in "The Child Wonder," I was unfamiliar with most of these acts. Lack of familiarity did not prevent me from being entertained or, in the case of clown-costumed mandolin player "Berando De Pace," creeped-out a little. There is less politically incorrect material than I expected, although modern performers would certainly steer clear of the Pidgin English Chinese caricature of "Little Too Shy is the Tramp of Shanghai Now," as sung by Adele Rowland, or the stereotypically ethnic vocals of Gus Van.


In addition to providing audio/video records of infrequently filmed vaudeville stars such as Frisco, Rowland, Friganza, the Foy Family, and the team of Van and Schenk, most of the shorts are entertaining in their own right. I was particularly impressed by the all-female jazz band "The Ingenues" in "The Band Beautiful" where several members of the band would switch instruments throughout the short, turning themselves into an orchestra of banjos or accordions at different points.


The 24 shorts exhibit widely varying levels of video quality due to the deterioration of their film elements. Some of them look comparable to "The Jazz Singer" in terms of image quality, while others appear to be on the verge of disintegration at times. The compression does its level best to keep up with the varying levels of film grain, and usually proves acceptable. Edge enhancement is never an issue.


The audio is presented in Dolby Digital 2.0 mono. Most if not all of it appears to be from sound-on disc sources, and while the quality varies as a function of the source, it usually sounds similar in quality to the audio for "The Jazz Singer." Certain shorts that have a bass drum mic'd close or feature foot-stomping dance routines with microphones close to the floor had obvious sub 100Hz bass content, which I am not used to hearing from recordings of the era. I even pulled out some jazz CDs I have that were mastered from 78 rpm records for comparison's sake, and remained very impressed.

  • Elsie Janis in a Vaudeville Act: “Behind the Lines” (7:26)
  • Berando De Pace: “The Wizard of the Mandolin” (10:29)
  • Van and Schenck: “The Pennant Winning Battery of Songland” (9:21)
  • Blossom Seeley and Bennie Fields with the Music Boxes (9:43)
  • Hazel Green and Company (8:11)
  • The Night Court (9:30)
  • The Police Quartette (8:09)
  • Ray Mayer and Edith Evans in “When East Meets West” (8:43)
  • Adele Rowland: “Stories in Song” (9:44)
  • Stoll, Flynn and Company: The “Jazzmania Quintette” (9:37)
  • The Ingenues: “The Band Beautiful” (9:13)
  • The Foy Family in “Chips off the Old Block” (7:42)
  • Dick Rich and His Melodious Monarchs (9:37)
  • Gus Arnheim and His Ambassadors (9:39)
  • Shaw & Lee: “The Beau Brummels” (8:43)
  • Roof Garden Revue Directed By Larry Ceballos (9:33)
  • Trixie Friganza in “My Bag O’ Tricks” (10:02)
  • Green’s Twentieth Century Faydetts (7:12)
  • Sol Violinsky: “The Eccentric Entertainer” (7:17)
  • Ethel Sinclair and Marge La Marr: “At the Seashore” (8:20)
  • Paul Tremaine and His Aristocrats (9:29)
  • Baby Rose Marie: “The Child Wonder” (8:34)
  • Burns & Allen in “Lambchops” (8:00)
  • Joe Frisco in “The Happy Hottentots” (10:40)

Recap and Recommendation

The Film: 4/5

Video Quality: 4/5

Audio Quality: 3.5/5

Special Features: 5/5

Overall Score (not an average): 4.5/5


Warner Home Video delivers an amazing high definition presentation for “The Jazz Singer,” the 86-year old talkie that led to a movie making revolution. The bonus material, despite losing a handful of Jolson trailers that were found on the 2007 DVD edition, remains impressive with its coverage of the film itself to the industry sea change it caused. First time buyers should have no reservations with purchasing the title, and while the change in the extras may make upgraders hesitate, they should, in the final estimation, be pleased with the release as well.




One thing leads to another at cameronyee.com

#2 of 42 OFFLINE   Ronald Epstein

Ronald Epstein

    Studio Mogul

  • 39,998 posts
  • Join Date: Jul 03 1997

Posted January 05 2013 - 05:51 AM

Never saw this film.  Never picked it up on DVD during it's initial release.


Looking forward to seeing it for the first time on Blu-ray.  I decided to
purchase for two reasons....


First, it's an important piece of film history.  Second, I just happened to

accidentally walk into an editing room at MPI while it was being worked
on this past October and was astounded by how fantastic the transfer

looked.


Ronald J Epstein
Home Theater Forum co-owner

 

gallery_269895_23_10043.jpg Click Here for the latest/hottest Blu-ray Preorders gallery_269895_23_1316.jpg Click Here for our complete Blu-ray review archive

gallery_269895_23_773.jpg Click Here for our complete 3D Blu-ray review archive gallery_269895_23_992.jpgClick Here for our complete DVD review archive

gallery_269895_23_7246.jpg Click Here for Blu-Ray Preorder Release Schedule gallery_269895_23_3120.jpg Click Here for forum posting rules and regulations


#3 of 42 OFFLINE   Colin Jacobson

Colin Jacobson

    Producer

  • 5,235 posts
  • Join Date: Apr 19 2000

Posted January 05 2013 - 06:22 AM

The movie's a snoozer, but it's an awesome BD!


Colin Jacobson
http://www.dvdmg.com

#4 of 42 OFFLINE   Ronald Epstein

Ronald Epstein

    Studio Mogul

  • 39,998 posts
  • Join Date: Jul 03 1997

Posted January 05 2013 - 06:24 AM

Really, is it hard to get through?

Ronald J Epstein
Home Theater Forum co-owner

 

gallery_269895_23_10043.jpg Click Here for the latest/hottest Blu-ray Preorders gallery_269895_23_1316.jpg Click Here for our complete Blu-ray review archive

gallery_269895_23_773.jpg Click Here for our complete 3D Blu-ray review archive gallery_269895_23_992.jpgClick Here for our complete DVD review archive

gallery_269895_23_7246.jpg Click Here for Blu-Ray Preorder Release Schedule gallery_269895_23_3120.jpg Click Here for forum posting rules and regulations


#5 of 42 OFFLINE   Cameron Yee

Cameron Yee

    Executive Producer

  • 10,522 posts
  • Join Date: May 09 2002
  • Real Name:Cameron Yee
  • LocationSince 2006

Posted January 05 2013 - 06:28 AM

I wouldn't say it's hard to get through, but it's not going to bowl you over storywise. If it was familiar then, imagine what it's like 86 years later! However I think the film does have some intriguing themes around ethnic identity and old vs. new world thinking, that is actually still very relatable and relevant for our immigrant communities.


One thing leads to another at cameronyee.com

#6 of 42 OFFLINE   Colin Jacobson

Colin Jacobson

    Producer

  • 5,235 posts
  • Join Date: Apr 19 2000

Posted January 05 2013 - 06:31 AM

Originally Posted by Ronald Epstein 

Really, is it hard to get through?


Not if you've had a few Red Bulls! Posted Image


Honestly, it's just a really thin movie - thin characters, thin story, etc.  There's maybe half an hour of actual plot/character development spread out to 90 minutes.  It's a one-dimensional melodrama that I think is remembered solely for its historical significance - if this'd been the second talkie, it would've been forgotten decades ago.


And it's barely a talkie - it's mostly a silent film with a few lines and some musical numbers.  You still encounter on-screen text for most of the dialogue.


It's not a painful movie to watch - it's simply dull and without much merit as a story, IMO.  I've seen worse, but I could happily never watch it again...


Colin Jacobson
http://www.dvdmg.com

#7 of 42 OFFLINE   Colin Jacobson

Colin Jacobson

    Producer

  • 5,235 posts
  • Join Date: Apr 19 2000

Posted January 05 2013 - 06:32 AM

Originally Posted by Cameron Yee 

I wouldn't say it's hard to get through, but it's not going to bowl you over storywise. If it was familiar then, imagine what it's like 86 years later! However I think the film does have some intriguing themes around ethnic identity and old vs. new world thinking, that is actually still very relatable and relevant for our immigrant communities.


It does have story-related potential, but I think it explores those themes poorly.  There's just no depth to any of it.  For instance, the movie tells us of all Jack's conflicts but we never FEEL them - everything's on the surface.


Again, it's not a painful viewing, but it's superficial and forgettable, IMO...


Colin Jacobson
http://www.dvdmg.com

#8 of 42 OFFLINE   Everett Stallings

Everett Stallings

    Second Unit

  • 386 posts
  • Join Date: Aug 24 1998
  • Real Name:Everett
  • LocationWilmington,De

Posted January 05 2013 - 06:34 AM

Great looking cover!
Former projectionist @ all downtown theatres in Balto. City.Which are all closed. frown.gif

#9 of 42 OFFLINE   bgart13

bgart13

    Supporting Actor

  • 903 posts
  • Join Date: Oct 04 2008

Posted January 05 2013 - 07:54 AM

I like the UK steelbook artwork much better... http://www.hometheat...e/61/id/173332/

#10 of 42 OFFLINE   atcolomb

atcolomb

    Stunt Coordinator

  • 197 posts
  • Join Date: Mar 19 2009
  • Real Name:Angelo
  • LocationChicago Area

Posted January 05 2013 - 02:51 PM

Bought the dvd box set because not only the movie itself but the history behind it and also the Vitaphone shorts. I liked the film more than i thought i would and now i understand why Jolson was so famous back then. The special features are all excellent and some of the shorts are very funny to watch.

#11 of 42 Guest__*

Guest__*
  • Join Date: --

Posted January 05 2013 - 04:23 PM

I really like this film.



#12 of 42 OFFLINE   Robert Harris

Robert Harris

    Archivist

  • 7,512 posts
  • Join Date: Feb 08 1999
  • Real Name:Robert Harris

Posted January 05 2013 - 06:40 PM

The Jazz Singer oozes with both history and sentiment. Keep in mind that it's a silent film with sound passages, as opposed to "all-talking, all-singing, all-dancing." And for first time adopters, best to make certain that your Blu-ray player connects to a CD device via Bluettoth, and functions in proper sync. I've found that synchronizing via either belts and Selson motors, or bicycle chains can be quite noisy, and sonically intrusive. RAH

"All men dream: but not equally. Those who dream by night in the dusty recesses of their minds wake in the day to find that it was vanity: but the dreamers of the day are dangerous men, for they may act their dreams with open eyes, to make it possible. This I did." T.E. Lawrence


#13 of 42 OFFLINE   JoHud

JoHud

    Screenwriter

  • 2,677 posts
  • Join Date: Sep 11 2007
  • Real Name:Joe Hudak

Posted January 06 2013 - 03:36 AM

I wouldn't say it's hard to get through, but it's not going to bowl you over storywise. If it was familiar then, imagine what it's like 86 years later! However I think the film does have some intriguing themes around ethnic identity and old vs. new world thinking, that is actually still very relatable and relevant for our immigrant communities.

What he said. Also Jolson's presence as the lead, in his first motion picture appearance, helps quite a bit. It's better than a few of his later films.

#14 of 42 OFFLINE   bgart13

bgart13

    Supporting Actor

  • 903 posts
  • Join Date: Oct 04 2008

Posted January 06 2013 - 05:40 AM

And for first time adopters, best to make certain that your Blu-ray player connects to a CD device via Bluettoth, and functions in proper sync. I've found that synchronizing via either belts and Selson motors, or bicycle chains can be quite noisy, and sonically intrusive. RAH

:D Classic.

#15 of 42 OFFLINE   Ken_McAlinden

Ken_McAlinden

    Producer

  • 6,070 posts
  • Join Date: Feb 20 2001
  • Real Name:Kenneth McAlinden
  • LocationLivonia, MI USA

Posted January 06 2013 - 07:30 AM

Originally Posted by Robert Harris 

The Jazz Singer oozes with both history and sentiment. Keep in mind that it's a silent film with sound passages, as opposed to "all-talking, all-singing, all-dancing."
And for first time adopters, best to make certain that your Blu-ray player connects to a CD device via Bluettoth, and functions in proper sync. I've found that synchronizing via either belts and Selson motors, or bicycle chains can be quite noisy, and sonically intrusive.
RAH

..although bicycle chains provide convenient, evenly spaced gaps in which the blue teeth can find purchase.

Ken McAlinden
Livonia, MI USA

#16 of 42 OFFLINE   Lromero1396

Lromero1396

    Supporting Actor

  • 640 posts
  • Join Date: Dec 19 2012

Posted January 06 2013 - 07:36 AM

The Jazz Singer oozes with both history and sentiment. Keep in mind that it's a silent film with sound passages, as opposed to "all-talking, all-singing, all-dancing." And for first time adopters, best to make certain that your Blu-ray player connects to a CD device via Bluettoth, and functions in proper sync. I've found that synchronizing via either belts and Selson motors, or bicycle chains can be quite noisy, and sonically intrusive. RAH

I am always entertained by your incomparable wit, Mr. Harris. :laugh:

#17 of 42 OFFLINE   Mike Frezon

Mike Frezon

    Studio Mogul

  • 29,503 posts
  • Join Date: Oct 09 2001
  • LocationRensselaer, NY

Posted January 07 2013 - 02:02 AM

I purchased the 2007 DVD and really enjoyed the experience.

One of the main things that I "took away" from the experience was the idea that this was a nice portrayal of 1927 NYC...but wasn't a re-creation.  All the outdoor shots of stoops and news stands, etc. were authentic to the day and didn't need to be staged.  I just thought that was pretty cool.

You might enjoy it for some of the same reasons, Ron...outside of the rest of the reasons to enjoy the film.


I doubt I'll upgrade to the Blu though...


There's Jessie the yodeling cowgirl. Bullseye, he's Woody's horse. Pete the old prospector. And, Woody, the man himself.Of course, it's time for Woody's RoundUp. He's the very best! He's the rootinest, tootinest cowboy in the wild, wild west!


HTF Rules | HTF Mission Statement | Father of the Bride

Dieting with my Dog & Heart to Heart/Hand in Paw by Peggy Frezon


#18 of 42 OFFLINE   AnthonyClarke

AnthonyClarke

    Supporting Actor

  • 937 posts
  • Join Date: Aug 13 2010
  • Real Name:Anthony
  • LocationWoodend Victoria Australia

Posted January 07 2013 - 10:24 AM

I have a 1929 Columbia Grafonola windup gramophone (and a slightly later HMV one but nothng beats that Columbia sound!) and have played many of Mr Jolson's recordings on that. However, my new 'The Jazz Singer' disc just spins round and round and my sound-box, even though it's equipped with a brand-new steel needle, keeps whizzing straight off .. it just can't get in the groove. I'll try a blue tooth if I can find one .. in the meantime, I'll try sharpening one of the better rose-thorns from the garden.

#19 of 42 OFFLINE   bujaki

bujaki

    Supporting Actor

  • 800 posts
  • Join Date: Jan 01 2012
  • Real Name:Jose Ortiz-Marrero
  • LocationRichardson, TX

Posted January 07 2013 - 12:03 PM

Anthony, Try a Miniver rose. After all, it was the prize winning entry for its year.

#20 of 42 OFFLINE   moviepas

moviepas

    Second Unit

  • 430 posts
  • Join Date: Apr 13 2011

Posted January 08 2013 - 07:44 PM

Also Jolson's presence as the lead, in his first motion picture appearance, helps quite a bit. It's better than a few of his later films.


Not quite, depends what you mean by that statement. The Plantation short arrived first.







Also tagged with one or more of these keywords: Blu-ray Reviews

0 user(s) are reading this topic

0 members, 0 guests, 0 anonymous users