- Joined
- Feb 8, 1999
- Messages
- 18,424
- Real Name
- Robert Harris
Abraham Polonsky's noir boxing drama, Body and Soul, has arrived on Blu-ray via Olive, and the results are well...
Olivish.
A decent film element, with an occasionally nice gray scale and detail, is mishandled in HD, all for the lack of a bit of digital clean-up. At the price of admission, that's the least that Olive can do to support their customer base, which must be from the higher levels of the socio-economic sale.
Very few people that I know, can actually afford to purchase these releases, especially at $20 a shot, or more, based upon Olive's distribution pattern.
Make no mistake, the Republic library contains some superb films, with some great Paramount titles along for the ride. I'm waiting patiently for Letter from an Unknown Woman, a brilliant Opuls film, as well as The Sterile Cuckoo.
But here's the rub. They're coming out so fast and furious, and with such a wide range of quality, it's difficult to keep up, difficult to report on them, and an unpleasant when you find an occasional rotten bit in the bowl of Blu-rays. If I didn't know better -- actually, I don't know better, as I've no information on the subject -- I might be led to believe that Olive has a 18 month window of exclusivity, and is in a rush to get the titles out before they lose their spot.
October will have to support 15 new Olive releases, followed in November by another 9 (inclusive of two important boxed sets). If one was desirous of owning half of their new releases, that's $150 for October alone. Most of the studios don't bring this many titles to the marketplace. And the problem is, many of the releases are high quality films. How can the average person keep up?
Add in a few studio titles, and one could easily be spending $300 - 400 per month on new releases. Blu-ray dependency could end up being a disease of the month.
Back to Body and Soul, which is a terrific film. $20 is too much to ask for a title that isn't decently digitally cleaned. Main titles could use a bit of stabilization.
Great film.
What appears to be a decent film element.
Poor showing when it comes to the final release.
On the positive side, main titles are not window-boxed.
Possibly if Olive slowed down their release pattern, they could spend a bit on each title, and get them right.
Image - 3
Audio - 4
Olivish.
A decent film element, with an occasionally nice gray scale and detail, is mishandled in HD, all for the lack of a bit of digital clean-up. At the price of admission, that's the least that Olive can do to support their customer base, which must be from the higher levels of the socio-economic sale.
Very few people that I know, can actually afford to purchase these releases, especially at $20 a shot, or more, based upon Olive's distribution pattern.
Make no mistake, the Republic library contains some superb films, with some great Paramount titles along for the ride. I'm waiting patiently for Letter from an Unknown Woman, a brilliant Opuls film, as well as The Sterile Cuckoo.
But here's the rub. They're coming out so fast and furious, and with such a wide range of quality, it's difficult to keep up, difficult to report on them, and an unpleasant when you find an occasional rotten bit in the bowl of Blu-rays. If I didn't know better -- actually, I don't know better, as I've no information on the subject -- I might be led to believe that Olive has a 18 month window of exclusivity, and is in a rush to get the titles out before they lose their spot.
October will have to support 15 new Olive releases, followed in November by another 9 (inclusive of two important boxed sets). If one was desirous of owning half of their new releases, that's $150 for October alone. Most of the studios don't bring this many titles to the marketplace. And the problem is, many of the releases are high quality films. How can the average person keep up?
Add in a few studio titles, and one could easily be spending $300 - 400 per month on new releases. Blu-ray dependency could end up being a disease of the month.
Back to Body and Soul, which is a terrific film. $20 is too much to ask for a title that isn't decently digitally cleaned. Main titles could use a bit of stabilization.
Great film.
What appears to be a decent film element.
Poor showing when it comes to the final release.
On the positive side, main titles are not window-boxed.
Possibly if Olive slowed down their release pattern, they could spend a bit on each title, and get them right.
Image - 3
Audio - 4