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SPHE Press Release: The Films of Rita Hayworth


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#1 of 15 OFFLINE   Ronald Epstein

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Posted August 30 2010 - 06:33 AM


Five Classic Films Starring the

Legendary “Love Goddess” of the Cinema


THE FILMS OF

RITA HAYWORTH


The Collection Includes Three Films Making Their DVD Debuts:

Tonight and Every NightSalome and Miss Sadie Thompson

And Two of Her Most Iconic Performances: Cover Girl and Gilda


Bonus Features Include Special Introductions by

Martin Scorsese, Baz Luhrman, and Patricia Clarkson


Fifth Release in the “Collector’s Choice” DVD Series

With The Film Foundation Debuts December 21


http://static.hometh...um.com/imgrepo/



CULVER CITY, CALIF. (August 30, 2010) – One of the most glamorous movie stars of all time, Rita Hayworth was the ultimate bombshell of the 1940s. Known as “The Love Goddess,” she was equally adept at playing sultry temptresses or dancing her way through splashy Technicolor musicals. On November 2, Sony Pictures Home Entertainment and The Film Foundation have teamed again to present The Films of Rita Hayworth, five of Hayworth’s finest films on DVD — three of them for the first time. These fully restored and remastered films highlight her charm, grace and allure as a dancer, dramatic actress, and vamp—while charting the exceptional range of her career. It’s a collection that showcases one of Hollywood’s most unforgettable stars ... and is certain to win her legions of new admirers as well. The collection includes the Technicolor war-time musical Tonight and Every Night, the lavish biblical spectacle Salome, and the dramatic musical Miss Sadie Thompson (each making their DVD debuts), as well as the Rita’s most iconic films Cover Girl with Gene Kelly and the celebrated Gilda with Glenn Ford.


The Films of Rita Hayworth also features all-new bonus materials, including special introductory featurettes with a trio of award winning talent: “Baz Luhrman on Cover Girl,” “Patricia Clarkson on Tonight and Every Night,” “Martin Scorsese and Baz Luhrman onGilda,” and “Introducing Miss Sadie Thompson with Patricia Clarkson.” In addition, acclaimed author and film critic Richard Schickel offers commentary on Hayworth’s defining role, GildaThe Films of Rita Hayworth will be available for $59.95 SRP.


About Rita Hayworth

Rita Hayworth (October 17, 1918 – May 14, 1987) was born Margarita Cansino in Brooklyn, New York. She began her career as a professional nightclub dancer and segued into movies with her feature film debut in Dante’s Inferno (1935). She continued to play minor roles for several studios before signing with Columbia Pictures in 1937. After two years of starring in B pictures, her big break came in 1939 when Howard Hawks cast her as Cary Grant’s hardboiled ex-flame in Only Angels Have Wings. After loan-outs to other studios, Hayworth returned a full-fledged star after memorable performances in Fox’s Blood and Sand and Warner’s The Strawberry Blonde(both 1941).


Back on the Columbia lot, Hayworth starred opposite Fred Astaire in two musicals, Cole Porter’s You’ll Never Get Rich (1941) and Jerome Kern’s You Were Never Lovelier (1942). When a sultry publicity photograph of Hayworth kneeling on a bed in a negligee was published in Life Magazine, it became a favorite pin-up for American GIs fighting overseas, and one of the most iconic images of the war years.


Hayworth starred in two more musicals, Cover Girl (1944) and Tonight and Every Night (1945), before making the film that would establish her as a legend. Her performance as Gilda (1946) –in which Hayworth in black satin performed a legendary one-glove striptease – made her into a cultural icon as the ultimate femme fatale and gave Columbia one of Hollywood’s biggest postwar hits.

Hayworth would make three more films—Down to Earth (1947), the noir classic The Lady From Shanghai (produced 1946, released 1948),  directed by her ex-husband Orson Welles, and reteaming with co-star Glenn Ford for The Loves of Carmen (1948)—before her marriage to Prince Aly Kahn led to a four-year absence from the screen. Returning in 1952, she made three hit films in a row— once again with Glenn Ford for Affair in Trinidad (1952); Salome (1953) with Stewart Granger and Charles Laughton; and the musical dramaMiss Sadie Thompson (originally released in 3-D, 1953)—before her tumultuous marriage to singer Dick Haymes kept her off the screen for another four years.


Hayworth returned to Columbia in 1957 and made three more films at the studio: Fire Down Below (1957) with Robert Mitchum and Jack Lemmon; Pal Joey (1957) with Frank Sinatra and Kim Novak, her last appearance in a musical (available on DVD in The Kim Novak Collection); and Robert Rossen’s They Came to Cordura (1959) opposite Gary Cooper and Tab Hunter.


Hayworth continued to work throughout the 60s, retiring after the offbeat Western The Wrath of God (1972).  After her death in 1987, President Ronald Reagan eulogized “Rita Hayworth was one of our country’s most beloved stars. Glamorous and talented, she gave us many wonderful moments on stage and screen and delighted audiences from the time she was a young girl. In her later years, Rita became known for her struggle with Alzheimer’s disease. Her courage and candor, and that of her family, were a great public service in bringing worldwide attention to a disease which we all hope will soon be cured.”


Cover Girl (1944)

Rita’s gorgeous red hair made her a natural for Technicolor, and her beauty is amply displayed in this musical, directed by Charles Vidor, about a dancer who unexpectedly becomes a magazine cover model.  Dance partner and love interest Gene Kelly becomes jealous when her rising celebrity clashes with his ambition. The songs are by Ira Gershwin and Jerome Kern, with supporting actors Phil Silvers, Lee Bowman, Otto Kruger, and Eve Arden rounding out the superb cast. Nominated for five Academy Awards® and winning for “Best Music, Scoring of a Musical Picture,” Cover Girl has a running time of 107 minutes and is not rated.


Tonight and Every Night (1945)

This moving picture of life in war-time London is a tribute to those enduring the nightly bombing raids that strafed the city, and Hayworth is radiant as an American showgirl in London.  Another gorgeous Technicolor musical and an unusual dramatic role for Rita, based on the real theater troupe who never missed a performance, despite increasingly dangerous circumstances.  Victor Saville (Goodbye, Mr. Chips) produced and directed the film, which co-stars Lee Bowman, Janet Blair and Leslie Brooks.  Nominated for two Oscars®Tonight and Every Night has a running time of 92 minutes and is not rated.


Gilda (1946)

Gilda (Rita Hayworth), the wife of a casino owner (George Macready) in Buenos Aires, is surprised to be introduced to her husband’s new casino manager (Glenn Ford), a man from her past.  Rita’s legendary striptease to “Put the Blame on Mame” is an unforgettable moment in one of the greatest of all film noirs, and the peak of her career--not to mention a searing depiction of one of the most erotic and tortured relationships on film. Directed by Charles Vidor, the film co-stars Joseph Calleia, Stephen Geray and Gerald Mohr. Gildahas a running time of 110 minutes and is not rated.


Salome (1953)

Rita plays the gloriously beautiful but wicked Salome with relish in this Biblical tale of the stepdaughter of Roman King Herod (Charles Laughton), who’s growing lust for his charge leads her to make a very unique demand involving John the Baptist (Alan Badel).  William Dieterle (The Hunchback of Notre Dame) directed this lavish production, which also stars Stewart Granger, Dame Judith Anderson and Sir Cedric Hardwicke. Salome has a running time of 103 minutes and is not rated.


Miss Sadie Thompson (1953)

The fourth screen version of the famed Somerset Maugham story details the arrival of a free-spirited woman to Samoa, where she naturally arouses the interest of the Marines based there (especially sergeant Aldo Ray), as well as the wrath of the fire-and-brimstone preacher (Jose Ferrer) who wants her sent away immediately. Curtis Bernhardt (A Stolen Life) directed the film, which was originally released in 3-D. The song “Blue Pacific Blues” by Lester Lee and Ned Washington was nominated for Best Original Song.  Miss Sadie Thompson has a running time of 91 minutes and is not rated.





All New Special Features Include:

§  “Baz Luhrman on Cover Girl

§  “Patricia Clarkson on Tonight and Every Night

§  “Martin Scorsese and Baz Luhrman on Gilda

§  Commentary with Author Richard Schickel on Gilda

§  “Introducing Miss Sadie Thompson with Patricia Clarkson”

§  Original Trailers


 
Visit Sony Home Entertainment on the Web at www.SonyPictures.com

 “Academy Award®” and “Oscar®” are the registered trademarks and service marks of the Academy of Motion Picture Arts and Sciences.


DVD Catalog # 27258

UPC Code: 043396272583

Order Date: 9/30/10

SLP: $59.95


Ronald J Epstein
Home Theater Forum co-owner

 

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#2 of 15 OFFLINE   Mike*HTF

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Posted September 01 2010 - 12:06 AM

So it's official.

Cheers to Sony for caring enough to release classic films on pressed DVD.
They get my full support!



#3 of 15 OFFLINE   Robin9

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Posted September 04 2010 - 10:21 PM

I certainly hope Gilda and Cover Girl have been "fully restored and remastered". The previous DVDs weren't good enough.


#4 of 15 OFFLINE   MarcoBiscotti

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Posted September 06 2010 - 06:44 AM

Yay, Finally!!



#5 of 15 OFFLINE   Ronald Epstein

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Posted October 18 2010 - 05:41 AM

Just in from Sony:


The Films of Rita Hayworth is MOVING from November to DECEMBER 21



I have updated the Press Release to reflect the date change.


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#6 of 15 OFFLINE   Richard Gallagher

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Posted October 18 2010 - 06:40 AM



Originally Posted by Ronald Epstein 

Just in from Sony:


The Films of Rita Hayworth is MOVING from November to DECEMBER 21



I have updated the Press Release to reflect the date change.


I knew something was up because I checked the release schedule last week and it was temporarily missing from the schedule.


Rich Gallagher

#7 of 15 OFFLINE   Richard M S

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Posted October 19 2010 - 05:44 AM

Well that's a relief. I just got my notice about the date change from Amazon as well.



#8 of 15 OFFLINE   marcco00

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Posted October 19 2010 - 07:05 AM

another delay on this release?!


my 'most anticipated' dvd of the year is proving to be the most elusive set ever!!



#9 of 15 OFFLINE   ahollis

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Posted October 19 2010 - 07:41 AM

Smart move on Sony's part.  There was just so much classic being released on November 2nd in Blu-ray so it might have gotten lost.


"Get a director and a writer and leave them alone. That`s how the best pictures get made" - William "Wild Bill" Wellman


#10 of 15 OFFLINE   marcco00

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Posted November 11 2010 - 01:59 PM

amazon has put up sampler clips of 'tonight and every night' and 'miss sadie thompson' on their webpage for this boxset...and boy, those images are sharp and colorful!  'sadie', at least in the amazon videoplayer, is 1:33:1.



#11 of 15 OFFLINE   marcco00

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Posted December 15 2010 - 12:47 PM

dvd beaver has it's review up for this set--a not too favorable review, transfer wise.


the sony home video website has clips of each film available for viewing also. the color films look a little dark, with the technicolor muted. hopefully i can just adjust my tv settings to get that vivid technicolor look.


this set will finally be released in under a week, i can hardly believe it...



#12 of 15 OFFLINE   JoHud

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Posted December 15 2010 - 01:26 PM

Yes, it sounds kind of so-so.  Salome looks to be the best one out of the lot, in regards to picture quality.  But why do those subtitles have to be so awful?  It is a bad precedent they are starting with those.


I'm still excited, though I feel we are in some sort of bizarro world in which the MOD titles have cleaner mastering being done.

Originally Posted by marcco00 

dvd beaver has it's review up for this set--a not too favorable review, transfer wise.


the sony home video website has clips of each film available for viewing also. the color films look a little dark, with the technicolor muted. hopefully i can just adjust my tv settings to get that vivid technicolor look.


this set will finally be released in under a week, i can hardly believe it...



#13 of 15 OFFLINE   marcco00

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Posted December 15 2010 - 07:20 PM

i'm taking the beaver's review with a grain of salt. he suggests that some of the films are badly in need of a restoration. but i believe sony's mike s. when he said all of the films on this set have been remastered.


looking at the screencaps on my computer screen, all i see is that the colors are muted and there is some grain evident in the image. that can be adjusted on my tv screen. the 'kim novak collection' and 'bridge on the river kwai'  also looked much better on my tv than the beaver's screencaps suggest.


ALSO- just found another review of this set on  the J!-ENT site. they say there that the transfers are clean, with some grain. 'sadie' seems to be the worst for wear, according to this particular reviewer.


can't wait to see these dvds with my own eyes!



http://www.dvdbeaver...ta_hayworth.htm


http://www.nt2099.co...ent-dvd-review/



#14 of 15 OFFLINE   shoeshineboy

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Posted December 16 2010 - 08:38 AM

I believe there is a difference between 'remastered' and 'restoration'...



#15 of 15 OFFLINE   marcco00

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Posted December 16 2010 - 09:05 AM



Originally Posted by shoeshineboy 

I believe there is a difference between 'remastered' and 'restoration'...


read the article at the top of this page