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HTF BLU-RAY REVIEW: The Last Metro



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#1 of 3 OFFLINE   Matt Hough

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Posted March 12 2009 - 03:21 PM


The Last Metro (Blu-ray)
Directed by Francois Truffaut

Studio: Criterion
Year: 1980
Aspect Ratio: 1.66:11080pAVC codec
Running Time: 131 minutes
Rating: NR
Audio: PCM 1.0 French
Subtitles: English
Region: A
MSRP: $ 39.95

Release Date: March 24, 2009
Review Date: March 12, 2009


The Film

4.5/5

Francois Truffaut’s The Last Metro is a nostalgic but unsentimentalized look back at the German occupation of Paris in 1942, a time when the biggest enemy of the French people were other French people loyal to the German cause of anti-Semitism and ready to turn in their friends, neighbors, or even relatives if it meant keeping the German occupation forces off their backs. Truffaut’s film takes that general set of circumstances and weaves through it an engrossing tale of theater folk doing all they can to survive these trying, tension-filled times. It’s a lightly passionate, quite exquisite piece of filmmaking, made all the more memorable by a host of expressive, ingratiating performances.

The Jewish director of the Montmartre Theatre Lucas Steiner (Heinz Bennent) has gone into hiding in the cellar of the Paris theatre he had been running prior to the Nazi invasion. His wife, film and stage star Marion Steiner (Catherine Deneuve), has taken over management of the theater which is rehearsing a Norwegian play which has been approved as acceptable by the German censors. The play is being helmed by the de facto director Jean-Loup Cottins (Jean Poiret), but Steiner is eavesdropping on rehearsals and sending daily notes to the director through his wife who’s also taking a leading role. Into this family of theater professionals comes a popular new actor Bernard Granger (Gerard Depardieu) who has an eye for the ladies but who’s also growing increasingly interested in the French Resistance.

Truffaut’s script (co-written with Suzanne Schiffman) seems to live and breathe theater. The professionals portrayed have a passion for their craft, and despite the Nazi threat, the air raids, the rampant crime in the streets with people desperately trying to survive, the show must go on, and it does. Through the sensitive writing, we get to know a host of the theater’s personnel: the wardrobe and set designer, the stage manager, the director as well as several of the principal actors in the troupe, and, of course, the real director in hiding doing all he can to prevent the walls of the theater’s cellar from closing in on him. We also get to see the ugly side of the times: the French traitors who are openly hostile to the Jews and to those who sympathize with them. Truffaut uses the character of the newspaper editor-critic Daxiat (Jean-Louis Richard) for this purpose, a sneering, unctuous man without an ounce of kindness in his soul, a true casualty of the war. Truffaut’s writing and direction remains solid and on-point until the somewhat unfortunate end where he speeds ahead to the end of the war to show us what became of some of the main characters. Though obviously going for some positive closure, he may have reached a bit too self-consciously for audience satisfaction. The film might have been more emotionally gripping had it ended ten minutes sooner with a more open-ended, ambiguous conclusion.

Catherine Deneuve has never been more radiant as both a performer and a woman as she is in this movie. Stunningly beautiful and with emotions held in check to match the mask she must wear around the German sympathizers she loathes, Deneuve reaches a career high point with this picture. Second-billed Gerard Depardieu appears in his usual lothario role early on but has some very effective dramatic scenes later in the movie, capped with a wonderfully angry exchange with the repulsive Daxiat (the excellent Jean-Louis Richard) when an unfairly scathing review appears after the critic gave the play a standing ovation in the theater. One feels the unease of trapped helplessness that Heinz Bennent portrays as the director-in-hiding. Andréa Ferréol, Paulette Dubost, and Jean Poiret add weight and human interest as members of the company struggling to keep their heads above the fray.


Video Quality

4/5

The film’s 1.66:1 theatrical aspect ratio is delivered in 1080p using the AVC codec. The Blu-ray captures the brilliantly warm, sensual colors and lighting of expert cinematographer Nestor Almendros in all of their rich reds, browns, and beiges. Flesh tones are ravishing, and sharpness for the most part is excellent. There are two or three slight scratches that come and go very quickly. The white subtitles are easy to read. The film has been divided into 31 chapters.

Audio Quality

3/5

The PCM (1.5 Mbps) 1.0 track has just the lightest audible hiss and flutter occasionally, but otherwise, it’s a typical mix of its era and suits the visuals just fine with a solid audio performance.

Special Features

4.5/5

The disc offers two audio commentaries. The first and best is by Truffaut biographer Annette Insdorf who speaks thoughtfully and well about the film, the performers, and her knowledge of Truffaut’s life and career. The second track offers actor Gerard Depardieu, historian Jean-Pierre Azéma, and Truffaut biographer Serge Toubiana speaking in French (with English subtitles) about the film’s accuracy in portraying France during the Occupation. It’s a start and stop affair, however, and not as involving as Insdorf’s talk.

One deleted scene is included on the disc, parts of which were contained in the finished film. It runs 5 minutes in 1080p.

Two 1980 television interviews feature director Truffaut. In the first he is joined by stars Catherine Deneuve and Gerard Depardieu for a 10 ¾-minute conversation in 1080i. In the second, the director and co-star Jean Poiret speak for 6 ½ minutes, also in 1080i.

“Performing The Last Metrois a 15-minute compilation of video interviews with Andréa Ferréol, Paulette Dubost, Sabine Haudepin, and assistant director Alain Tasma discussing the working methods of the famous director. It’s in 1080i.

“Visualizing The Last Metro finds camera assistants Florent Bazin and Tessa Racine discussing the art director, the lighting, and the cinematography at play in the film in a 1080i interview that runs 9 ½ minutes. They also reminisce about Oscar-winning cinematographer Nestor Almendros.

“Working with Truffaut: Nestor Almendros” is a fascinating interview with the highly respected cinematographer who made nine films with the legendary director. Filmed in 1986, this featurette is in 1080i and runs 28 minutes.

Une Historie d’eau is the delightful 1958 short film co-directed with Jean-Luc Godard. In it, a winsome French girl and her handsome companion traverse the flooded French countryside attempting to get to Paris. This 12 ½-minute short is presented in 1080p.

The film’s original theatrical trailer runs 2 ¼ minutes in 1080i.

The enclosed 14-page booklet contains some attractive black and white and color stills, a cast and crew list, and a celebratory essay non the movie by film critic Armond White.

The Criterion Blu-rays are now including a maneuvering tool called “Timeline” which can be pulled up from the menu or by pushing the red button on the remote. It shows you your progress on the disc, the title of the chapter you’re now in, and index markers for the commentaries that go along with the film, all of which can be switched on the fly. Additionally, two other buttons on the remote can place or remove bookmarks if you decide to stop viewing before reaching the end of the film or want to mark specific places for later reference.


In Conclusion

4.5/5 (not an average)

One of his most involving films, Francois Truffaut’s The Last Metro finally arrives in a Criterion Blu-ray release worthy of the film’s greatness with a superb picture and a raft of bonus features. Highly recommended!


Matt Hough
Charlotte, NC

#2 of 3 OFFLINE   Blake Comeaux

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Posted March 13 2009 - 02:49 AM

I have this one and The 400 Blows pre-ordered. I've never seen either, but have only heard great things about both, plus Catherine Deneuve in HD can only be a good thing. I just hope I will be seeing Repulsion, Belle de Jour and Umbrellas of Cherbourg in High-Def soon.

#3 of 3 OFFLINE   Martin Teller

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Posted March 13 2009 - 04:34 AM

I'm so torn about this one. I love Truffaut, but this isn't one of my favorites by him. On the other hand, I always enjoy an Insdorf commentary.

Oh, I guess I'll probably get it.