Chuck Mayer
Senior HTF Member
With a major caveat. I am a seat fanatic. I attended a sneak preview last night, and was forced to sit in the very worst seats imaginable (front row, FAR right). Therefore, the 2.35 AR was murder, and though I got used to it, it was less than optimal for judging a film, especially such a visual one.
Had I been alone, I would have skipped out on the screening, preferring to wait and see it in my usual seat in just over a week. But my friend wanted to give it a whirl, and the end result was tolerable.
Alright, WANTED. I've never read the source material, and cannot comment to the faithfulness of the adaptation. I've heard it is completely different. That bothers me not at all, because Millar is not my favorite writer. I have also NOT seen Timur Bekmambetov's Night Watch or Day Watch, though I had seen the trailers.
The film has some exceptional moments, mostly visual, though there is a moment of Zen (violent, but...) beauty that I REALLY liked, not for the visuals but for the meaning. I wouldn't say it's good. It's often juvenile and immature and simplistic, but the overall effect basically works. The crowd of scum and plebians (sitting in the good seats) seemed to REALLY like it, and I imagine teenage boys are going to froth at the mouth to see it.
It's not particularly original, with the core concept most recently seen in The Matrix. A cube drone going nowhere suddenly finds a) meaning and b) immediate (and I mean nearly immediate) badassery skills, and does his thing. It borrows quite a bit (especially late action bits) from Equilibrium. But before I say "thief", I'll scream homage, because the director makes these cues visually stimulating. Even from my shitty seat. It uses songs more effectively than most action films. The acting is pretty good, though sometimes uneven. It does have a great last line to sewnd the audience out with.
Finally, the direction. I could see TB working some themes in, but he currently is mostly visual flair. From what I understand of the Watch films, he's a potpourri of great ideas usually ramped up with some creativity. While not original, that is still entertaining. The story is better than I expected if you have a healthy suspension of disbelief (with regards to the laws of physics and fate). But you'll go for the action, and you'll be rewarded. The movie recognizes what it is, and plays it up.
In short, I'll buy it on Blu-Ray. Just for the visual treats it provides. I'll also probably see it in theaters again, so that I can actually see it.
I think it's BO is going to do pretty well. It won't beat WALL*E or anything, but it serves a completely different audience. Like I said, the audience ATE IT UP in a way I haven't seen in a while.
If you love your action stylized, this is worth the price of admission. I won't tell you to turn your brain off, but I would recommend feeding it beforehand
Had I been alone, I would have skipped out on the screening, preferring to wait and see it in my usual seat in just over a week. But my friend wanted to give it a whirl, and the end result was tolerable.
Alright, WANTED. I've never read the source material, and cannot comment to the faithfulness of the adaptation. I've heard it is completely different. That bothers me not at all, because Millar is not my favorite writer. I have also NOT seen Timur Bekmambetov's Night Watch or Day Watch, though I had seen the trailers.
The film has some exceptional moments, mostly visual, though there is a moment of Zen (violent, but...) beauty that I REALLY liked, not for the visuals but for the meaning. I wouldn't say it's good. It's often juvenile and immature and simplistic, but the overall effect basically works. The crowd of scum and plebians (sitting in the good seats) seemed to REALLY like it, and I imagine teenage boys are going to froth at the mouth to see it.
It's not particularly original, with the core concept most recently seen in The Matrix. A cube drone going nowhere suddenly finds a) meaning and b) immediate (and I mean nearly immediate) badassery skills, and does his thing. It borrows quite a bit (especially late action bits) from Equilibrium. But before I say "thief", I'll scream homage, because the director makes these cues visually stimulating. Even from my shitty seat. It uses songs more effectively than most action films. The acting is pretty good, though sometimes uneven. It does have a great last line to sewnd the audience out with.
Finally, the direction. I could see TB working some themes in, but he currently is mostly visual flair. From what I understand of the Watch films, he's a potpourri of great ideas usually ramped up with some creativity. While not original, that is still entertaining. The story is better than I expected if you have a healthy suspension of disbelief (with regards to the laws of physics and fate). But you'll go for the action, and you'll be rewarded. The movie recognizes what it is, and plays it up.
In short, I'll buy it on Blu-Ray. Just for the visual treats it provides. I'll also probably see it in theaters again, so that I can actually see it.
I think it's BO is going to do pretty well. It won't beat WALL*E or anything, but it serves a completely different audience. Like I said, the audience ATE IT UP in a way I haven't seen in a while.
If you love your action stylized, this is worth the price of admission. I won't tell you to turn your brain off, but I would recommend feeding it beforehand