Indiana Jones: The Adventure Collection
Directed by Steven Spielberg
Studio: Paramount
Year: 1981/1984/1989
Aspect Ratio: 2.35:1 anamorphic
Running Time: 359 minutes
Rating: PG/PG/PG-13
Audio: Dolby Digital 5.1 English; 2.0 stereo surround French, Spanish
Subtitles: English, French, Spanish
MSRP: $ 59.98
Release Date: May 13, 2008
Review Date: May 1, 2008
Directed by Steven Spielberg
Studio: Paramount
Year: 1981/1984/1989
Aspect Ratio: 2.35:1 anamorphic
Running Time: 359 minutes
Rating: PG/PG/PG-13
Audio: Dolby Digital 5.1 English; 2.0 stereo surround French, Spanish
Subtitles: English, French, Spanish
MSRP: $ 59.98
Release Date: May 13, 2008
Review Date: May 1, 2008
The Films
Raiders of the Lost Ark 5/5
Indiana Jones and the Temple of Doom 4/5
Indiana Jones and the Last Crusade 5/5
Indiana Jones and the Temple of Doom 4/5
Indiana Jones and the Last Crusade 5/5
Indiana Jones, everyone’s favorite globe-trotting archaeologist, gets new special editions for his adventures in Indiana Jones: The Adventure Collection. Truth to tell, there was not much wrong with the 2003 DVD release of the three films in a box set (with a bonus disc of supplements). Now, the films will be offered separately as well as in this collective set.
We first got to know Indiana Jones (Harrison Ford) in a masterful ode to classic adventure serials of the 1930s, fashioned by George Lucas and Philip Kaufman and directed by Steven Spielberg, as Raiders of the Lost Ark. Indy was on the trail of the Ark of the Covenant, the ancient religious relic that was reportedly the receptacle for the original stone Ten Commandments tablets. The film was a terrific amalgamation of fast-paced adventure, glorious stunts, definite elements of supernatural fantasy, a slight touch of romance, and just plain fun. A huge box-office triumph, the film won five Academy Awards and allowed Lucas to see his original plan of a trilogy of Indy adventures get the green light.
Three years later came Indiana Jones and the Temple of Doom. Far darker and more disturbing than Raiders, Temple of Doom found Indy and two cohorts (a child and a woman) in search of a mystical sacred stone stolen from an Indian tribal altar, a stone whose loss had brought disaster to the village. Driven to make the second Jones saga less bubbly fun and more serious in tone, George Lucas convinced Spielberg that darker was the way to go thus dooming the film in the eyes of many as distinctly inferior to the original. The film has its flaws (Spielberg’s over-infatuation with all things gross and crawly, the torturously irritating presence of the undeniably beautiful Kate Capshaw), but there are unquestionably entertaining set pieces: the opening nightclub sequence where both a diamond and a poison antidote go pinging around a slippery floor, a chamber of horrors for Indy and his pal Short-Round (Ke Huy Quan), a frenzied chase and escape in a mining shaft car, and a climactic bridge collapse over a river of crocodiles), but the action quotient is breathlessly high, and there is fun to be had amid the darkness and disturbing imagery.
Indiana Jones and the Last Crusade has a distinctly déjà vu quality about it, harking back to the original film time and again. What gives it its unique place among the trilogy, however, is the memorable father and son dynamic established by Sean Connery playing Dr. Henry Jones, Indy’s father. Estranged for years and never on good terms, the father and son relationship in the third film allows the two actors to engage in one face off after another, all to riotously entertaining effect. Once again, Indy vies with the Nazis only this time over the search for the legendary Holy Grail. There’s a dominant woman’s presence in this film, too, but Alison Doody’s Elsa is no whining, screeching Kate Capshaw. She makes a fetching foil for both Indy and his father making it all too understandable why the duo are willing to follow her anywhere.
The remarkable level of entertainment these three films deliver represent something of the apex of commercial Hollywood filmmaking. These three new editions bring the films back with new special features not available elsewhere. In this new collection, slim line cases are used but with cover art reminiscent but not identical to the previous DVD releases.
Video Quality
4.5/5 for each movie
The anamorphically enhanced 2.35:1 transfers are beautifully delivered. Though these are likely the same video masters as the 2003 releases, color fidelity and image stability seem just a bit steadier in these new transfers. Color is richly saturated, and sharpness in medium and close shots is exemplary. Only a slight tendency toward smearing in some long shots and a momentary loss of focus in a couple of shots prevents the transfers from achieving the top video score. Blacks are incredibly deep with superb shadow detail. The images have been cleaned of all debris and look brand new. The first two films are divided into 31 chapters while the third film is divided into 36 chapters.
Audio Quality
5/5 for each movie
The Dolby Digital 5.1 audio tracks are incredible achievements with immersive and widespread sound fields enveloping the viewer. LFE can be very impressive when they kick in, and the sound designs presented here seem equal to the best soundtracks of present day action films.
Special Features
3.5/5 for each movie
Each film in the collection has its own set of bonus material, but most of the features are laid out the same on each of the three movie discs. The documentary featurettes on each of the discs were produced by Laurent Bouzereau.
Raiders of the Lost Ark
Introduction by George Lucas and Steven Spielberg finds the producer and director of the film discussing how the first film in the series came about, the casting process for the leading roles, and the filming of the movie. The new footage is in anamorphic widescreen though clips from behind-the-scenes documentaries which were included in the last release of the films are in 4:3. This introduction lasts 7 ¾ minutes.
“Indiana Jones: An Appreciation” features the cast and crew of the upcoming Indiana Jones and the Kingdom of the Crystal Skull paying tribute to the three films in the series. Interviewed for this featurette are Karen Allen, Harrison Ford, George Lucas, Steven Spielberg, Frank Kennedy, Ray Winstone, Jim Broadbent, John Hurt, Cate Blanchett, and Shia Labeouf.
“The Melting Face” is an interesting summation of the work that went into that startling special effect at the climactic point in Raiders, done before CGI was an available solution for special effects technicians. The featurette runs 8 ¾ minutes.
Storyboard Sequence - The Well of Souls places the storyboards for the incredibly tense sequence above a reduced window showing the finished film sequence in a fascinating 4 ¼ minute feature.
Step-through galleries allow the viewer to see pictures in color and black and white and conceptual art in four different areas: illustrations and props, production photographs and portraits, effects/ILM, and marketing.
“Lego Indiana Jones: The Original Adventures Game Demo and Trailer actually gives only a 1 ¼ minute trailer for this new video game and the internet site where the demo can be played. This feature is repeated on each of the other two subsequent discs.
Indiana Jones and the Temple of Doom
Introduction by George Lucas and Steven Spielberg gives the information behind the decision to make the second film in the series darker and more anguished in tone. The two men each also state their distaste for the second film. This featurette runs 6 minutes.
“Creepy Crawlies” is a fun 12-minute look at the different types of crawling creatures used in each of the three movies and how they were wrangled on the set: snakes and spiders in the first, bugs in the second, and rats in the third. The disc also allows the viewer to turn on a pop-up fact dispenser that runs during the featurette.
Locations shows us the various places where each of the three films was shot, often not in the countries where the characters supposedly were. It’s quite interesting to see what was shot in a studio and what was shot outdoors, often with production design so expert that it’s impossible to tell fake from real locations. This feature runs 10 ½ minutes and also offers the viewer an optional pop-up fact dispenser.
Storyboard Sequence - The Mine Cart Chase is a (too-brief) 2 ½ minute comparison of storyboards and actual footage of the film’s most famous chase sequence.
Step-through galleries once again allow the viewer to see photographs and conceptual art for this film in four groupings: illustrations and props, production photographs and portraits, effects/ILM, and marketing.
Indiana Jones and the Last Crusade
Introduction by George Lucas and Steven Spielberg provides background on how the character of Indy’s father came into the story, and why Sean Connery was approached to play the role. The featurette lasts 6 ¼ minutes.
“The Women: The American Film Institute Tribute” has leading ladies Karen Allen, Kate Capshaw, and Alison Doody individually discussing in 2003 on the occasion of the release of the three films initially on DVD their thoughts about the characters they played in their individual films. This interesting take on their feelings about their characters is presented in 4:3 and lasts 9 ½ minutes.
“Friends and Enemies” is another summary about the Indy sidekicks and villains from all three movies, discussed by Lucas, Spielberg, and the writers of the three films. This lasts 10 ¾ minutes.
Storyboard Sequence - The Opening Sequence once again shows the illustrated storyboards and underneath it the corresponding film clips from the opening train sequence in the movie with River Phoenix starring as young Indy. This lasts 3 ¾ minutes.
Step-through galleries once again allow the viewer to see photographs and conceptual art for this film in four groupings: illustrations and props, production photographs and portraits, effects/ILM, and marketing.
Each film also contains a trailer for the upcoming Indiana Jones and the Kingdom of the Crystal Skull. The trailers for the original films are not provided on the discs.
In Conclusion
4.5/5 (not an average)
The films themselves are the prime gems in this collection, three of the most entertaining popcorn movies ever made. The bonus features, while new, are not a patch on the bonus disc that came with the last Indiana Jones DVD release. If you have that set already but feel you need these new releases for the new bonuses, at least keep the old supplementary disc (even though its features are in 4:3). The films here look as wonderful as standard definition resolution will allow them to look. I suspect many (including me) will be waiting for the day when the films come to Blu-ray. Until then, these DVDs represent the achievements of the films handsomely.
Matt Hough
Charlotte, NC
[PG]103433004[/PG]