-

Jump to content



Photo
DVD Reviews

HTF DVD Review: Before the Devil knows you are dead



This topic has been archived. This means that you cannot reply to this topic.
6 replies to this topic

#1 of 7 OFFLINE   Sam Posten

Sam Posten

    Executive Producer

  • 16,655 posts
  • Join Date: Oct 30 1997
  • Real Name:Sam Posten
  • LocationAberdeen, MD & Navesink, NJ

Posted April 19 2008 - 06:27 PM

http://static.hometh...ers_1737817.jpg">






Title: Before the devil knows you are dead
Rated: R
Screen format: Anamorphic Widescreen 1.85:1
Studio: Image Entertainment / Capitol / Think Film
Year first released: 36 September, 2007
DVD released: April 15, 2008
Director: Sidney Lumet
Starring: Philip Seymour Hoffman, Ethan Hawke, Albert Finney, Marisa Tomei, Rosemary Harris
Sound Formats: English Dolby Digital 5.1 & Stereo
Length: 117 minutes
Subtitles: Spanish



Plot: 4/5

At 83, legendary filmmaker Sidney Lumet keeps on doing what he does best, taking interesting stories and paring them down to their barest essences, bringing in talented actors and refining their performances to the rawest of emotions. By utilizing all the tricks of film making he has learned over his vast career and employing the best of breed in digital imaging that is available, he proves that old dogs can indeed learn new tricks, and maybe even show the young pups in Hollywood a thing or two.

In Before the Devil knows you are dead, Lumet transforms a script by Kelley Masterson into a modern melodrama, an unavoidable tragedy. Andy (Hoffman) and Hank (Hawke) are aging brothers with deep secrets and for whom life is threatening to run off the rails. Andy is addicted to heroin and has been financing his habit through embezzlement. Hank is a classic runt, disheveled, divorced and unable to pay to give his daughter her due funds let alone additional funds to just be a kid. Andy plots what seems to be an easy score: knocking over a mom and pop jewelry store. The twist is that the mom and pop involved are his and Hank’s parents (Finney and Harris).

Told in a disjointed but mostly follow-able series of flashbacks and flash-forwards, the plan fails miserably, and while Andy and Hank aren’t immediately connected, they struggle with their guilt and the consequences of the robbery, including the unexpected injury of their mother in the struggle. Unknown to Andy, Hank had reservations about the original plan and had brought in outside help, and that help is killed during the botched attempt, and his friends start hammering Hank for restitution as well. As the story chugs towards its inevitably tragic end, Hank and Andy’s secrets are revealed one by one, piling on the misery they must endure.

Devil is by turns both fascinating and disturbing, shining a light into the horrors that can follow evil acts, even when caution is taken to avoid hurt. I personally had a hard time identifying with either brother, and found the whole thing just a bit maudlin and depressing, without realizing at first that the underlying foundation was melodrama and that that ensured that there could only be one conclusion.

What I found most striking was the performances put in by all three of the main principles, Hoffman, Hawk and Tomei. All three showed incredible depth of emotion portrayed different sides of the underlying tension with superb depth and bravery, particularly with the nude scenes, especially the opening of the film which is quite graphic without really being titillating.

Overall I can’t say I enjoyed the film but that really wasn’t the point. It’s not going to be a film anyone really loves, but as a tragedy and melodrama it is without question a success.

Sound Quality: 3/5

I wasn’t expecting to be blown away by the soundtrack of Devil, but it does have a 5.1 mix that does reach back into the rears to fill environmental effects nicely. Bass is however almost nonexistent outside of a few pistol shots. Musically the score is tied directly to the melodramatic pace and is purposefully dreary, though I give credit to composer Carter Burwell for coming up with a few instrumental pieces that help the slower sections not drag on.

Visual Quality: 3/5

In the extras Lumet goes on at length about his love for the digital realm, and as a digital production you will not find any of the pops or scratches that a true film would have had. There is however a bit of grain and the dynamic range limitations of digital cameras is quite blatant, especially in the car scenes as the white range of skies and other exteriors are blown out consistently. This is quite jarring as it doesn’t appear to have been done for cinematic effect but as simply a drawback of the technology used. Most scenes are relatively sharp but the palette of the film borders on monochromatic at many points, tho this does seem like a creative decision over a technical one.

Extra Features: 2.5/5
There are three extras on disk. First is the theatrical trailer. Second is an amazing behind the scenes featurette called “How the devil got made” which is an excellent discourse with Lumet and the cast and production crew about the very different philosophies to film making that were employed. Finally there is a feature length commentary track with Hawke, Lumet and Hoffman, with Hoffman taking charge and acting as an interviewer. Normally I skip these but I was drawn in by the combination of these three people and listened to well over half of it so far and intend to go back and finish it, it’s definitely worthy of a listen if you find the “How the Devil” featurette interesting.

Overall: 3.5/5 (not an average)

Top on the list of things I did enjoy were the honest and chilling performances of Hawke and Hoffman and the very illuminating main featurette. While it’s not a film I’ll go back to again and again but it isn’t one I regret having spent time with either. While this film is unlikely to win the accolades that many others in Lumet’s vast back catalog have achieved, I found Devil to provide insights into the nature of tragedy and evil that I hadn’t considered before.

[PG]118461102[/PG]

I lost my signature and all I got was this Nutter t-shirt


#2 of 7 OFFLINE   Ed Moroughan

Ed Moroughan

    Second Unit

  • 377 posts
  • Join Date: Mar 10 2003
  • Real Name:Edward R. Moroughan
  • LocationStar Lake, NY

Posted April 20 2008 - 12:18 AM

Great movie that should have had more exposure. Only thing I didn't like was the sound at the transitions. Good review. Posted Image

#3 of 7 OFFLINE   Yumbo

Yumbo

    Screenwriter

  • 2,243 posts
  • Join Date: Sep 13 1999

Posted April 20 2008 - 07:15 AM

Marisa Tomei 'never looked better'.

#4 of 7 OFFLINE   Don Giro

Don Giro

    Supporting Actor

  • 817 posts
  • Join Date: Jan 21 2004
  • Real Name:Don
  • LocationNew Jersey

Posted April 20 2008 - 11:47 PM

Quote:
Marisa Tomei 'never looked better'.

I would agree, if not for the scene where's she's in the floral print bodysuit in "My Cousin Vinny." Posted Image
When she embraces, your heart turns to stone
She comes at night, when you're all alone
And when she whispers, your blood shall run cold
You'd better hide before she finds you...

#5 of 7 OFFLINE   David_Blackwell

David_Blackwell

    Screenwriter

  • 1,435 posts
  • Join Date: Jan 30 2004

Posted April 21 2008 - 06:49 AM

I like the first fifteen minutes the ebst and it's all becasue of Marisa Tomei. Still her scenes in the first 15 minutes say a lot about her character and why she does her actions throughout the film.
ENTERLINE MEDIA (entertainment articles and DVD/Movie/TV show reviews)

#6 of 7 OFFLINE   JonZ

JonZ

    Lead Actor

  • 7,793 posts
  • Join Date: Dec 28 1998

Posted April 23 2008 - 04:44 AM

I liked it and picked it up.

Yea and Ive been waiting for this Marisa scene for 16 yearsPosted Image

#7 of 7 OFFLINE   TonyD

TonyD

    Executive Producer

  • 16,147 posts
  • Join Date: Dec 01 1999
  • Real Name:Tony D.
  • LocationDisney World and Universal Florida

Posted April 24 2008 - 12:19 PM

i thought the transition sound effect was really good.
sounded like the glass cutting device and then the glass breaking.

un-nerving and effective.
facebook.com/whotony