Jambalaya Gumbo
Agent
- Joined
- Oct 10, 2006
- Messages
- 28
- Real Name
- Robert
Ultimate Disney.com has posted a review of the new release of Disney's 1973 (74?) Robin Hood animated feature ("Robin Hood: Most Wanted Edition") and they convincingly make the case that the previous full frame version has been cropped top and bottom to allow for a new wide-screen 16x9 anamorphic version.
Fans of classic films from the birth of American cinema up to the rise of widescreen aspect ratios have long worried about the impact of wide-screen TVs in the home, and how the campaign for letterbox might morph one day into a campaign for window box.
So here is Robin Hood, released on DVD in widescreen anamorphic, except the top and bottom of the frame has been compromised to force a square peg into a rectangular hole.
For those who don't know, the Disney company routinely cropped their classic 4:3 films for wide-screen release throughout the 70's and 80's, including the 50th anniversary of Snow White and the Seven Dwarfs. Roger Ebert and Gene Siskel chastised the Disney company for this on their 1980's review TV show, and Disney listened. Starting with the re-release of Fantasia in 1990, Disney subsequently released their classic films in the theater in their true aspect ratios, a tradition that continued with the 90's re-releases of 101 Dalmations, Pinocchio, and the 1993 re-release of Snow White and the Seven Dwarfs.
So are we right back where we started? I know Robin Hood was shot 4:3 and was cropped for theatrical release, so people buying the DVD are in effect receiving the same film audiences did in 1973 (or 1974 I don't remember which). But as UltimateDisney proves, they are receiving a cropped version of the true image. This has to present a dilmena to OAR advocates...which is the true OAR of Robin Hood...that which was shot, or that which was originally exhibited. I lean to the former, and have to protest the decision to crop Robin hood for wide screen TV's. That which we feared happening (the letterbox movement morphing into a windowbox movement) has just happened.
Here is the link, see the screenshot comparisons for yourself:
http://www.ultimatedisney.com/robinhood-mostwanted.html
Fans of classic films from the birth of American cinema up to the rise of widescreen aspect ratios have long worried about the impact of wide-screen TVs in the home, and how the campaign for letterbox might morph one day into a campaign for window box.
So here is Robin Hood, released on DVD in widescreen anamorphic, except the top and bottom of the frame has been compromised to force a square peg into a rectangular hole.
For those who don't know, the Disney company routinely cropped their classic 4:3 films for wide-screen release throughout the 70's and 80's, including the 50th anniversary of Snow White and the Seven Dwarfs. Roger Ebert and Gene Siskel chastised the Disney company for this on their 1980's review TV show, and Disney listened. Starting with the re-release of Fantasia in 1990, Disney subsequently released their classic films in the theater in their true aspect ratios, a tradition that continued with the 90's re-releases of 101 Dalmations, Pinocchio, and the 1993 re-release of Snow White and the Seven Dwarfs.
So are we right back where we started? I know Robin Hood was shot 4:3 and was cropped for theatrical release, so people buying the DVD are in effect receiving the same film audiences did in 1973 (or 1974 I don't remember which). But as UltimateDisney proves, they are receiving a cropped version of the true image. This has to present a dilmena to OAR advocates...which is the true OAR of Robin Hood...that which was shot, or that which was originally exhibited. I lean to the former, and have to protest the decision to crop Robin hood for wide screen TV's. That which we feared happening (the letterbox movement morphing into a windowbox movement) has just happened.
Here is the link, see the screenshot comparisons for yourself:
http://www.ultimatedisney.com/robinhood-mostwanted.html