Dan Brecher
Senior HTF Member
- Joined
- Jan 8, 1999
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- 3,450
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- Daniel
*original posted as a reply in an old existing X2 thread*
In many ways it's as good as a sequel to a big budget summer movie can come. It's still very much Wolverine's story and it's frankly pointless anyone seeing the sequel without having seen the first since the events essentialy pick up right where the action left off.
In true testement to John Ottman's skills as an editor the sequel is saved from being a structural mess. Characters established last time round grow further, and the sequel gradualy brings Bobby/Iceman in as one of the majors. On top of all that you have Pyro, Nightcrawler, Deathstrike and Brian Cox's Stryker (and if you're counting, a very neat Colossus cameo) and its clear to see how the film really could have been all over the place.
I loved the first film, far more than I ever expected to, but the sequel takes things to another level yet knows how far is too far and restrains itself from going over the top, outstaying its welcome and throwing everything into the one pot.
It's a violent film though, and one I feel must push the limits of the PG 13 rating (and in England, 12a). Logan might as well have just stabbed anything that moves! He's really rather ruthless with the claws this time round and there's a lot of cuts, swipes and blood in the heavy hand to hand combat seen in the movie. A lot of gunplay too, and violence toward children during the attack on the school (which really is an expertly staged scene it must be said)...
I know a lot of people hated Michael Kamen's score from the last film, but I have to admit I didn't (I was actually very fond of it). Ottman's score is very pleasing in its own right but if anyone is expecting a big bombastic score they can forget it. In listening to both X Men scores it is clear what Singer wanted musicaly, and whilst there are differences, none so huge as say, going from Elfman's Batman to Goldenthal's.
The orchestra he put together is big, you feel the scale of it, and there is some superb choir work in the music too. He does have a theme, a good one too, but he is wise never to overuse it and strike it up everytime one of the X Men does something. In fact, the most blatant renditions of Ottman's X-Men theme you will hear are in the opening and closing titles. There are some really very charming and beautiful cues during a number of scenes I would not dare spoil and love the score as I did I can still see people being upset with it.
I found the whole film a rare treat frankly.
All the best,
Dan
In many ways it's as good as a sequel to a big budget summer movie can come. It's still very much Wolverine's story and it's frankly pointless anyone seeing the sequel without having seen the first since the events essentialy pick up right where the action left off.
In true testement to John Ottman's skills as an editor the sequel is saved from being a structural mess. Characters established last time round grow further, and the sequel gradualy brings Bobby/Iceman in as one of the majors. On top of all that you have Pyro, Nightcrawler, Deathstrike and Brian Cox's Stryker (and if you're counting, a very neat Colossus cameo) and its clear to see how the film really could have been all over the place.
I loved the first film, far more than I ever expected to, but the sequel takes things to another level yet knows how far is too far and restrains itself from going over the top, outstaying its welcome and throwing everything into the one pot.
It's a violent film though, and one I feel must push the limits of the PG 13 rating (and in England, 12a). Logan might as well have just stabbed anything that moves! He's really rather ruthless with the claws this time round and there's a lot of cuts, swipes and blood in the heavy hand to hand combat seen in the movie. A lot of gunplay too, and violence toward children during the attack on the school (which really is an expertly staged scene it must be said)...
I know a lot of people hated Michael Kamen's score from the last film, but I have to admit I didn't (I was actually very fond of it). Ottman's score is very pleasing in its own right but if anyone is expecting a big bombastic score they can forget it. In listening to both X Men scores it is clear what Singer wanted musicaly, and whilst there are differences, none so huge as say, going from Elfman's Batman to Goldenthal's.
The orchestra he put together is big, you feel the scale of it, and there is some superb choir work in the music too. He does have a theme, a good one too, but he is wise never to overuse it and strike it up everytime one of the X Men does something. In fact, the most blatant renditions of Ottman's X-Men theme you will hear are in the opening and closing titles. There are some really very charming and beautiful cues during a number of scenes I would not dare spoil and love the score as I did I can still see people being upset with it.
I found the whole film a rare treat frankly.
All the best,
Dan