oscar_merkx
Senior HTF Member
- Joined
- Apr 15, 2002
- Messages
- 7,626
http://www.dvdjournal.com/
Though Hollywood tried it twice (in 1946 with John Garfield and Lana Turner, and again in 1981 with Jack Nicholson and Jessica Lange), and both versions are not without their pluses, Visconti's Ossessione stands as the best adaptation of The Postman Always Rings Twice. Perhaps it's because — like any great film noir — the picture captures the right sense of fatalism and bleakness, although here that darkness is mixed with the influence of Renoir's humanist filmmaking style.
Image Entertainment's new DVD release of Ossessione can be troublesome. The transfer is full-frame (1.33:1) with the original Italian soundtrack in monaural Dolby Digital 2.0 and optional English subtitles. However, the source has flecking throughout, print damage, and occasional motion distortion due to the transfer's origins from a duped master, which is not surprising considering the film fell into public domain. This would be unacceptable from most films on DVD — Ossessione is an exception, as the original negative was destroyed by the Italian fascists during World War II. The film only survives because Visconti was able to hide a print, and unless some miraculous restoration can be undertaken someday, having to deal with minor problems in the source material is a small price indeed. Ossessione is on the street now
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fascinating stuff indeed
Though Hollywood tried it twice (in 1946 with John Garfield and Lana Turner, and again in 1981 with Jack Nicholson and Jessica Lange), and both versions are not without their pluses, Visconti's Ossessione stands as the best adaptation of The Postman Always Rings Twice. Perhaps it's because — like any great film noir — the picture captures the right sense of fatalism and bleakness, although here that darkness is mixed with the influence of Renoir's humanist filmmaking style.
Image Entertainment's new DVD release of Ossessione can be troublesome. The transfer is full-frame (1.33:1) with the original Italian soundtrack in monaural Dolby Digital 2.0 and optional English subtitles. However, the source has flecking throughout, print damage, and occasional motion distortion due to the transfer's origins from a duped master, which is not surprising considering the film fell into public domain. This would be unacceptable from most films on DVD — Ossessione is an exception, as the original negative was destroyed by the Italian fascists during World War II. The film only survives because Visconti was able to hide a print, and unless some miraculous restoration can be undertaken someday, having to deal with minor problems in the source material is a small price indeed. Ossessione is on the street now
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fascinating stuff indeed