Jim Peavy
Supporting Actor
- Joined
- Aug 12, 2002
- Messages
- 733
I agree, Walter; but then many films (not shot on video) I've seen in the theater lately suffer from this.
Whenever they'd cut to a big, panoramic shot in Matrix: Reloaded it would look flat, washed out, and lose all detail. To the extent I'd think, "what am I looking at?" Same with 28DL. The wide shot of Jim looking at the bodies in the cathedral was that way. Could barely tell what I was looking at.
I tend to think many modern screens are merely too big. You just can't splash a 35mm print across a field that big and expect it to hold up quality wise. It doesn't appear to be out of focus, the quality of the big, panoramic shots just starts to break down.
Anybody shed more light on this? (No pun intended :b !)